The Queer Review had a very special Zoom conversation, along with some other members of the press, ahead of today's launch of season one of Ratched on Netflix. The virtual press conference was attended by lead actor and executive producer Sarah Paulson, along with some of her co-stars including Cynthia Nixon and Sharon Stone. Created... Continue Reading →
Reeling: The Chicago LGBTQ+ International Film Festival marks 38th year with virtual event Sept 24th – Oct 4th
The world's second-oldest queer film festival, Reeling: The Chicago LGBTQ+ International Film Festival, will mark its 38th anniversary next week with its first virtual edition. Reeling38's programme will include 30 features and 54 short films from 21 countries, along with more cast and filmmaker Q&As than ever. As there will be no in-person screenings, over... Continue Reading →
Exclusive Interview: alt-pop newcomer Luke Baron on his peachy Call Me By Your Name inspired debut single Summer Of ’83 (Call Me By Your Name)
Today, Friday September 18th, sees the release of peachy pop newcomer Luke Baron's debut single, inspired by one of the most beloved queer movies of recent years (or ever), Luca Guadagnino's 2017 Oscar-winning Call Me By Your Name, based on the novel by André Aciman. The dreamy anthem, Summer Of '83 (Call Me By Your... Continue Reading →
Exclusive Interview: Bright Light Bright Light takes us on a guided tour of his new album Fun City “for queer people pop music has always been a kind of safe haven”
The Welsh-born New York City-dwelling queer prince of indie electro pop, Bright Light Bright Light, aka Rod Thomas, is about to unleash his latest album, Fun City. The Queer Review's James Derek Dwyer calls it, "a slick, heartfelt dance floor masterpiece that wears its purple influences as proudly as its star-studded features". And for an... Continue Reading →
It’s About Time – Film Review: Antebellum ★★★
As a Jew, I had grown tired of Holocaust narratives in film. Can anyone make anything better or more definitive than Schindler’s List? I’d always been dubious until Son Of Saul proved me wrong. So, with a more open mind, I approached Antebellum, the debut feature by directing partners (and partners in life) Gerard Bush... Continue Reading →
Film Review: Rialto ★★★
Colm (Tom Vaughn-Lawlor) is a forty-something man in crisis. His father recently died, sending him spiraling about his relationship with his own son, who hates him. He’s unhappy with work, he’s unhappy at home, he’s drinking way too much to compensate; and, oh yeah, when he’s approached by a young blond hustler, (Tom Glynn-Carney) in... Continue Reading →
TIFF 2020 Film Review: Falling ★★★1/2
Thrice Oscar-nominated actor and Renaissance man Viggo Mortensen makes his writing and directing feature film debut with the poignant family drama Falling, also composing the film's beautiful piano led score. Currently in the running for Best Canadian Feature Film at TIFF, Falling had its world premiere earlier this year at Sundance. Mortensen plays John Peterson,... Continue Reading →
Madonna will direct, co-write & produce movie based on her life story “who better to tell it than me”
After Madonna teasing the project on social media in recent weeks, Universal Pictures announced today that the studio is developing an all-new untitled movie based on the "untold true story" of groundbreaking artist and LGBTQ ally and activist Madonna, who will direct the film and co-write the screenplay with Oscar-winner Diablo Cody (Juno, Tully). Oscar-nominee... Continue Reading →
Film Review: Summerland ★★★
I love a road movie. They’re inherently cinematic — full of new locations, new sights to see, and characters always in motion — and they literalize the idea of characters “going on a journey” over the course of a film. Summerland, the new road-trip comedy from directing team Lankyboy (Kurtis David Harder & Noah Kentis),... Continue Reading →
TIFF 2020 Industry Selects Film Review: Bruce LaBruce’s Saint-Narcisse ★★★1/2
Canadian artist and filmmaker Bruce LaBruce’s Saint-Narcisse closed the Venice Film Festival’s Venice Days last week, where it was nominated for the festival's Queer Lion. Although LaBruce's latest feature is not playing in competition at TIFF it was part of the festival's Industry Selects lineup, and we're happy that it was. It's a gloriously bizzare,... Continue Reading →
