Cast your mind back to 2017. You know, the year that was one of the worst in recent memory until 2020 hit. The year that the UK was stuck dealing with the fallout from the Brexit referendum, while the orange menace took office in the US. A year in which the words 'coronavirus' and 'Ukraine'... Continue Reading →
Vanessa Bates’ The One, receiving its world premiere at Sydney’s Ensemble Theatre, delves into the nuances of identity through the lens of race, and to a lesser degree sexuality. It’s also incredibly bizarre and funny. In life, as at Jim’s Asian Restaurant & Milk Bar, there are no refunds and you have to make do... Continue Reading →
While Michael R. Jackson's 2020 Pulitzer Prize-winning musical A Strange Loop is enjoying a hit run on Broadway—and is deservedly the most Tony-nominated production of the season—downtown at the Public Theater a 2022 Pulitzer-winner, James Ijames' Fat Ham officially opened last night, with its original run already extended twice until July 3rd (extended again until... Continue Reading →
With footballers like Australia's Josh Cavallo and the UK's Jake Daniels bravely coming out, the timing of the return run of Adam Fawcett’s 2019 play Become The One couldn’t be better. How does a relationship work when one of you stays in the closet? What’s the impact on your other relationships? How long can it... Continue Reading →
It only feels like a New York minute since drag superstar BenDeLaCreme graced the Manhattan stage for her annual holiday show with fellow Drag Race alum Jinkx Monsoon, The Return of the Jinkx & DeLa Holiday Show, LIVE! But that was actually five months ago, so clearly my perception of time has been warped by... Continue Reading →
Before the lights go down at the Lyceum Theatre, a recorded announcement by A Strange Loop's Pulitzer Prize-winning writer, composer and lyricist—Michael R. Jackson—politely reminds us to keep our masks on and to switch off or silence our mobile devices. Theatre etiquette which he says, as a former usher, he finds particularly irksome when ignored.... Continue Reading →
As a little budding gay growing up in a small town, I surprised even myself by really being into baseball. I knew everything about the players and their stats. I collected the baseball cards and even rooted for the Pittsburgh Pirates despite being an Ohioan who should have supported the Cleveland Indians. Even as a... Continue Reading →
Mike Bartlett’s Cock, last seen in London in 2011, is not just a source of endless childish sniggers in the West End—though we are grateful for that—it is an innovative revisiting of an important queer play, directed by Marianne Elliott. Barlett was inspired by cock fighting in Mexico, mashed up with questions about sexuality and... Continue Reading →
It begins with the dramatic opening chords of Celine Dion’s “It’s All Coming Back to Me Now”, a flash of lightning and the vision of an ethereal Courtney Act hovering above the stage. It’s a warning, this isn’t any ordinary version of Noël Coward’s supernatural comedy. Charles Condomine (Matt Day) is a writer in need... Continue Reading →
Paul Bettany is back on stage, after an absence of nearly 20 years, as queer icon Andy Warhol in Andrew McCarten’s vibrant new play The Collaboration at London’s Young Vic Theatre. Joined by Hollywood and Pose star Jeremy Pope as artist Jean-Michel Basquiat, this is a star-studded hit of theatre that is more than likely... Continue Reading →
