I see a lot of movies but don’t always have time to write a comprehensive review for every one of them. By catching up on screenings these past few weeks, I’ve managed to compile a small batch of artisanal, locally-sourced capsule reviews. While less wordy than usual, you still get my clever/groan-inducing titles, one to... Continue Reading →
Every now and then, a movie energizes me in unexpected ways. When I first saw Animal House, I immediately wanted to start a food fight in the cafeteria. Aliens excited me so much, it remains the only film where I turned around and saw the very next showing. Now, along comes Dolemite Is My Name,... Continue Reading →
FILM BRAIN (FB): What the fuck did we just watch? MUSICAL THEATRE BRAIN (MTB): Cats. FB: Yeah, but… what the actual… MTB: Andrew Lloyd Webber’s musical Cats, you know the one that’s been around since 1981. We saw it when we were kids. FB: I know but… that film was… MTB: Yeah, I’ll admit, the... Continue Reading →
I have two words for you: Cats. But that doesn’t make sense, you say? Exactly. Back in college, it seemed like every performing arts major had that Harvey Edwards “Leg Warmers” photo hanging on their wall. You know the one with the well-worn stockings and the tattered, duct-taped ballet slippers in plié? It signified a... Continue Reading →
Men have been looking at women in films since the very beginnings of mainstream moviemaking, but only in recent decades have we seen the opposite. Of course, queer cinema has very much flipped the script on this notion, making the looks given between the same sexes into a veritable trope of its own. Now with... Continue Reading →
In the final days of the 2010s, The Queer Review asked a range of artists, film experts, podcasters, playwrights, authors, filmmakers, community figures, activists and more to name their ten favourite LGBTQ+ films of the decade 2010 - 2019. Each of the over sixty contributors submitted an unranked list of ten film titles which we've... Continue Reading →
Life can be a messy, loud, out of control experience, and sometimes that’s just what’s in your head. Add the honking, incessant cacophony of New York City and you’re not getting sleep anytime soon. The Safdie brothers, Benny and Josh, understand this all too well, gifting Robert Pattinson with a mesmerizing character in their 2017... Continue Reading →
Sometimes films achieve greatness with the simplest of storytelling techniques. With Sam Mendes’ 1917, which he co-wrote with Krysty Wilson-Cairns, he manages to make going from Point A to Point B into a visceral, almost insurmountable, agonizing, suspenseful, wrenching, watch through your fingers experience, and delivers one of the finest films of 2019. While not... Continue Reading →
I love films because they provide an opportunity to experience other cultures, other parts of the world, differing opinions, historical events, and more in a compact period of time. This year alone, I “travelled” to a South Korean suburb, to a 19th century New England coastline, into outer space with Bard Pitt, inside the mind... Continue Reading →
