Even if you didn't know the full title of the bestselling memoir by entertainment journalist Michael Ausiello that this film is based on—Spoiler Alert: The Hero Dies—within the opening moments you'll find out where it's eventually headed. We see a heathy looking, but distraught Michael (Jim Parsons) in a hospital bed lovingly facing an ailing... Continue Reading →
Stephen Warren and Johnnie Ingram's Emmy and GLAAD Award-winning unscripted series We're Here, directed and executive produced by Peter LoGreco, returns to HBO and HBO Max for its third season this Friday, November 25th, with even deeper, richer storytelling. Drag icons, Shangela Laquifa Wadley, Eureka O'Hara, and Bob the Drag Queen, continue their journey to... Continue Reading →
The profession of journalism requires patience, steadfastness, sharp attention to detail, and a tedious yet rigorous approach. Forget Clark Kent changing in phone booths or Sigourney Weaver running with a microphone in Eyewitness, as the real deal, the dull yet methodical process, has been captured to perfection in such films as All The President’s Men... Continue Reading →
Clearly we’re living in a zeitgeist moment where so many filmmakers have taken swipes at the 1% with titles such as Triangle Of Sadness, The White Lotus, Succession, and Glass Onion: A Knives Out Mystery, to name a few, hellbent on exposing the class divide. Enter The Menu into the fray from director Mark Mylod... Continue Reading →
Rebel Wilson and Charlotte Gainsbourg play two women living with partners who have suffered Traumatic Brain Injury (TBI) in The Almond and the Seahorse, a complicated drama about both those suffering from TBI and their carers. Rebel Wilson as Sarah and Celyn Jones as Joe in Celyn Jones and Tom Stern’s The Almond and The... Continue Reading →
Following its world premiere at Venice, where it was nominated for the Queer Lion, and showings at other international festivals including TIFF, and London, Sébastien Lifshitz's feature documentary Casa Susanna receives its US premiere at DOC NYC. Lifshitz continues his focus on trans lives (following Wild Side, Bambi, A French Woman and Little Girl/Petite Fille)... Continue Reading →
Tony and Olivier award-winning veteran theatre director Michael Grandage follows his 2016 feature film debut, Genius, with the delicately powerful My Policeman, which world premiered at the 47th Toronto International Film Festival and opens in select US cinemas today ahead of its global launch on Prime Video on November 4th. Based on the bestselling book... Continue Reading →
Affairs can be messy, especially in the small, incestuous world of a South London gay rugby team. Writer-director-producer-cinematographer-editor-composer Matt Carter’s polished flick, In From The Side, is a bit too, too much at times, but it has an over-processed charm about it nonetheless. Oh, and plenty of hot rugby boys…which will no doubt be enough... Continue Reading →
With such features as, Force Majeure and Cannes Film Festival Palme d’Or winning The Square, Swedish filmmaker Ruben Östlund has established himself as an expert satirist with a clean, measured approach to shooting a scene. His style feels reminiscent of Stanley Kubrick at his most diabolical with concise framing, long takes, and a cold, removed... Continue Reading →
NewFest's 34th annual New York LGBTQ+ Film Festival opened tonight with the world premiere of director Laurent Bouzereau's deeply moving and unexpectedly urgent adaptation of Oscar-winning writer and filmmaker Dustin Lance Black's 2019 best-selling memoir, Mama's Boy, which debuts on HBO and HBO Max on Tuesday, October 18th 2022. "Very soon, I promise you, you... Continue Reading →
