I’ve often wondered what people really mean when they say, “They don’t make movies like they used to”. Are they talking about the scripts, directing, cinematography, subject matter, overall tone or something else? When I look back on films from the 1940s, for example, I often experience empty sound editing, flat staging, and tin-eared dialogue.... Continue Reading →
Andrew Ahn's contemporary reworking of Ang Lee's Oscar-nominated classic The Wedding Banquet—with a new screenplay by Ahn co-written with the original film's writer James Schamus—is a delightfully warm and uplifting rom-com with heart and soul, and an ensemble cast to die for. Shifting the setting west from New York to Seattle, Ahn and Schamus also... Continue Reading →
Really good romantic comedies have had a tough time melting my cold, dead heart as of late. For me, the formula wore thin right around the time Tom Hanks and Meg Ryan started exchanging those pesky e-mails. Despite a resurgence in the past couple of years with such films as Anyone But You and Hit... Continue Reading →
In a new interview, Rocky Horror creator Richard O'Brien says that he agrees with someone who once told him that it doesn't matter what he thinks of the cult show and movie now because it doesn't belong to him anymore, it belongs to its fans. It is a sentiment that comes at the end of... Continue Reading →
Receiving its world premiere at SXSW 2025 as part of the festival's Narrative Short Competition, writer-director Andy Reid's Brief Somebodies offers an enticing premise. The film opens with twenty-something actor-filmmaker Joel (Aldrin Bundoc) reviewing self-tape submissions for an unusually personal role he is casting, an actor to play opposite him in a scene that will... Continue Reading →
Jun Li's alluring third feature, Queerpanorama (眾生相), received its world premiere at the 75th Berlinale—aptly enough in the festival's Panorama section—where it was in competition for the 39th Teddy Award. Strikingly shot in black and white, it is a bold and inventive meditation on self-discovery that really got under my skin. The protagonist, listed in... Continue Reading →
"In space no one can hear you howl with laughter!" This is the queer animated scifi musical comedy you've been looking for. Co-writer-directors Leela Varghese and Emma Hough Hobbs made a splash at the 75th Berlinale with their debut feature, Lesbian Space Princess, which received its world premiere there last week. It went on to... Continue Reading →
Early noughties indie rock pic, We Forgot To Break Up, tells the story of the band The New Normals as they rise from high school friends to rock stardom before the emotions that fuel their music start to rip them apart. Adapted from Kayt Burgess’ novel, Heidegger Stairwell, there are some familiar beats here, from... Continue Reading →
Star high school football player Dakota Riley (Jake Holley) is feeling the pressure. His girlfriend Skylar (Riley Quinn Scott) wants to have sex, but he’s resisting. His best friend Jaeden (Colin McCalla), who is temporarily living with him, seems to be sending out flirty vibes. While his former star-athlete dad Carson (Rib Hillis), who is... Continue Reading →
Danish drama In Ashes (Se Gennem Aske), which world premieres at Queer Screen's Mardi Gras Film Festival, follows a gay young man struggling to come to terms with his first heartbreak. Writer-director Ludvig C. Poulsen leaves the audience grasping for details as they are gradually revealed, forming an incomplete but fraught picture of modern love.... Continue Reading →
