Following its Grand Prix-winning premiere at Cannes, writer-director Lukas Dhont's tender, heartbreaking, and healing sophomore feature Close, has gone on to be acclaimed at festivals around the world, and is among the five works nominated as Best International Feature Film at this weekend's 95th Academy Awards. Beautifully shot by cinematographer Frank van den Eeden, Close... Continue Reading →
Oscar-nominated filmmaker Arthur Dong curates ‘Hollywood Chinese: The First 100 Years’ at the Academy Museum of Motion Pictures
This week sees the start of Hollywood Chinese: The First 100 Years at The Academy Museum of Motion Pictures in Los Angeles. The film series, curated by Oscar-nominated filmmaker Arthur Dong who directed the 2007 feature documentary Hollywood Chinese, runs from November 4th - 27th at the museum’s Ted Mann Theater. The lineup includes screenings... Continue Reading →
Exclusive Interview: Jeffrey Friedman on his Oscar-winning decades-long filmmaking partnership with Rob Epstein
This Pride Month the Criterion Channel is showcasing the Oscar-winning work of filmmakers Rob Epstein and Jeffrey Friedman with the eight film collection, Pride and Protest. In 1977, Friedman, who was working as an assistant editor in New York, was struck by the power of queer filmmakers putting queer lives on screen when he encountered... Continue Reading →
Exclusive Interview: Barbara Sukowa & filmmaker Filippo Meneghetti on their Golden Globe nominated lesbian love story Two of Us (Deux) “society is obsessed with youth & beauty & I have a huge problem with that”
One of the queer highlights at the 2019 Toronto International Film Festival, where writer-director Filippo Meneghetti's debut narrative feature had its world premiere, Two of Us (Deux) went on to a successful international festival run including playing the BFI London Film Festival and Outfest, and winning the Outstanding First Feature Award at last year's Frameline.... Continue Reading →
Exclusive Interview: creative & fashion director Sam Ratelle “I’m excited for where the future of menswear is going”
Hailed by Vogue as “the most fabulous entrance in Met Gala history”, in May last year Billy Porter was carried on to the pink carpet by six shirtless Broadway hunks on a palanquin dressed as Cleopatra in a dazzling gold ensemble designed by The Blonds. Just three months earlier, Porter had shut down the red... Continue Reading →