As 2023 draws to a close, we invite some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture that has sustained, stimulated, moved, inspired, or brought them joy this year. We hope that you enjoy reading this eclectic selection and discover something new to revel in. We... Continue Reading →
People love moviegoing for so many different reasons. Whether it’s the adrenaline rush, the exploration of different worlds and cultures, the pure fantasy, a good laugh or cry, or perhaps just the air conditioning and popcorn, seeing a film in a cinema can feel beautifully communal. Take the talkers and texters out of the equation... Continue Reading →
Sometimes films achieve greatness with the simplest of storytelling techniques. With Sam Mendes’ 1917, which he co-wrote with Krysty Wilson-Cairns, he manages to make going from Point A to Point B into a visceral, almost insurmountable, agonizing, suspenseful, wrenching, watch through your fingers experience, and delivers one of the finest films of 2019. While not... Continue Reading →
Andrew Scott. Photo by Manuel Harlan Andrew Scott is bringing that Hot-Priest-Energy from Fleabag into this slick and satisfying revival of Noël Coward’s Present Laughter, that gender-flips a key role, making this a polysexual farce that feels more in keeping with Coward’s real life. Scott brings a childish bravado (and a great pair of guns,... Continue Reading →
