Georgian queer cinema is in the spotlight again with Elene Naveriani’s evocative Wet Sand, a heartbreaking look at the power of repression in a parochial community and the hate that lurks behind the faces we see everyday. Amnon (Gia Agumava) runs the local café, serving beers and meals to the locals. He’s a calm, stable... Continue Reading →
Situations spiral out of control and the classes clash in the juicy lesbian drama, The Origin of Evil (L'origine du mal). Money, murder, and the design choices of the nouveau riche fill the screen in this darkly comic-thriller. Stéphane (a wonderful performance by ​​Call My Agent’s Laure Calamy) works in a factory, packaging anchovies all... Continue Reading →
Actor-turned-filmmaker Leonardo Brzezicki’s devastatingly impactful drama Wandering Heart (Errante corazón), is a stunning showcase for the talents of Leonardo Sbaraglia who fills every frame with a brokenness that transcends the screen. This is a fantastic performance that is worth the price of admission all on its own. Wandering Heart (Errante corazón). Courtesy of Queer Screen.... Continue Reading →
There’s a simple pleasure to be had in sitting back and watching everything on stage being done well. Belvoir’s new queer family dramedy, Blessed Union, is seamlessly terrific. Funny, emotive, and probing. Flawless. No notes. I could end the review here, but obviously I won't... Ruth (Danielle Cormack) and Judith (Maude Davey) have always upheld... Continue Reading →
Sydney’s glamour bug, Etcetera Etcetera, is expanding her field of drag with a new one-woman show that gets down to the humanity behind the mask in Big Screen, Small Queen (Everything I Didn’t Learn at Film School), presented during Sydney WorldPride. The night starts like an old school Sydney drag show, lip-syncing to classic film... Continue Reading →
A gigolo, a drag queen, and a porn star scheme their way to a motherload of cash in fashion photographer James Demitri’s feature debut as writer-director, The Winner Takes It All. This film is utter trash. That’s not a read, it’s the aesthetic. This is a deliberately, deliciously trashy comedy caper that won’t come anywhere... Continue Reading →
New Zealand filmmaker Welby Ings’ debut feature, Punch, lives up to its title with some powerful drama, stunning visuals, and a sexy subject. Jim (Jordan Oosterhof) is a rising boxer on the eve of his first professional fight, trained by his father (Tim Roth). Their lives are lived in service to Jim’s boxing career with... Continue Reading →
Writer-director Maryam Touzani’s Queer Palm-nominated and Cannes Un Certain Regard FIPRESCI Prize-winning The Blue Caftan revels in the intricacy of love and tradition. What at first glance seems to be the story of a closeted man cheating on his wife, becomes a more complex tale of the multiplicity of loves in our lives and how... Continue Reading →
The autumnal landscape of southern Poland shines in writer-director Kamil Krawczycki’s new feature, Elephant (SÅ‚oÅ„), adding fresh layers to the familiar tale of a rural young man discovering his sexuality in a homophobic town. Bartek (Jan Hrynkiewicz) works multiple jobs to support himself and his mother, looking after their farm animals by day and helping... Continue Reading →
An experimental blend of film, poetry, song and more, Shall I Compare You to a Summer’s Day? (Bashtaalak sa'at) is an art piece that defies linear narrative or easy interpretation. We may start with a play on Shakespeare, but where we’ll end up…well, that's anyone’s guess. Egyptian filmmaker Mohammad Shawky Hassan has given us a... Continue Reading →
