For the last few months, Broadway's oldest continually operating legitimate theatre, the Lyceum, has reverberated with the raucous laughter of sell-out houses attending Cole Escola's Oh, Mary! Having made its award-winning debut downtown at the Lucille Lortel earlier this year, the irreverent, colourful—and very queer—reimagining of historical figures, centred around a petulant, heavy-drinking, frustrated cabaret... Continue Reading →