It's been some time since a new queer film has caused a stir, in the vein of William Friedkin's Cruising, Abdellatif Kechiche's Blue is the Warmest Colour, or Todd Verow's soon-to-be reissued Frisk, but if the reported festival audience response is anything to go by, writer-director Elliot Tuttle's provocative Blue Film might be the latest... Continue Reading →