Writer-director Daniel Levy's Netflix film Good Grief is a testimony to the complexities of grief. More than that, it's also a reflection on the received wisdom of grieving and how we function beyond it, or more importantly, with it. Too often, we're told that grief is a cry-it-out at the funeral scene and a bounce back... Continue Reading →
Book Preview: You Are My Happy Ending – Schitt’s Creek & the Legacy of Queer Television by Emily Garside
Schitt’s Creek rewrote queer stories on television. From David's now iconic "the wine, not the label" line, to Patrick’s heartwarming coming out, through to the couple's "happy ending" wedding. In a new book, You Are My Happy Ending: Schitt's Creek and The Legacy Of Queer Television, The Queer Review contributor Emily Garside recalls classic moments... Continue Reading →
Exclusive Interview: Daniel Levy, Ruth Negga & Himesh Patel on playing “found family” in Netflix’s Good Grief
As we recover from the excess and emotions of another holiday season and enter the first week of the new year, watching a movie entitled Good Grief—about a man who is dealing with the unexpected death of his husband—might not seem like the obvious uplifting choice to add to your Netflix queue. But we recommend... Continue Reading →
Exclusive Interview: Good Grief star Arnaud Valois “telling very different stories about LGBTQ+ people is so important to me”
French actor Arnaud Valois garnered international attention and acclaim for his lead turn in writer-director Robin Campillo's 2017 ACT UP drama 120 BPM (120 battements par minute), set in early 90s Paris during the height of the HIV/AIDS crisis, and was recognized at home with a prestigious César Award nomination for Most Promising Actor. His... Continue Reading →
Film Review: Happiest Season ★★★★
There's a touching speech towards the end of Happiest Season, beautifully delivered by multiple Emmy-winner Dan Levy revitalising the gay best friend role, that eloquently makes the point that when it comes to coming out there's no one-size-fits-all experience. It's typical of Clea DuVall and Mary Holland's smart, funny, heartwarming and unsentimental screenplay which goes... Continue Reading →
