When Rob Madge was 12, they attempted to stage a full-blown Disney parade in their living room. In this show, celebrating the joy of having a queer child and the loved ones who support them, Madge has the audience alternately rolling in the aisles and dabbing their eyes. Rob Madge. Photo credit: Mark Senior. Inviting... Continue Reading →
Edinburgh Festival Fringe 2022 Theatre Review: Beg For Me (Underbelly Bristo Square) ★★
Exploring the right-wing radicalisation of young, susceptible men, and the role of social and mainstream media in that process, Beg For Me is a timely piece that asks a number of interesting questions. As the audience enters, @R3alAm3rican99 is already ensconced in an armchair, watching a Richard Spencer video on his phone. The sound of... Continue Reading →
Edinburgh Festival Fringe 2022 Theatre Review: Hungry (Roundabout @ Summerhall) ★★★
When chef Lori meets Bex, who is waiting tables, a romantic clinch in a walk-in fridge marks the start of a tumultuous relationship. Exploring themes of class, queerness and cultural appropriation, Hungry is a thought-provoking play that leaves plenty to be digested. Melissa Lowe and Eleanor Sutton. Photo credit: The Other Richard. Eleanor Sutton and... Continue Reading →
Edinburgh Festival Fringe 2022 Theatre Review: Rajesh & Naresh (Summerhall) ★★★
Feeling that something is missing from his life, British Asian banker Rajesh takes his mother’s advice and travels to India for the first time since childhood. Meanwhile Naresh, a socially-awkward cricket bat maker, is on the verge of giving up hope of meeting the man of his dreams. Bhramdeo Shannon Ramana and Madhav Vasantha. Photo... Continue Reading →
Vault Festival Theatre Review: Trade (Omnibus Theatre, London) ★★★★
Complex, challenging and more than a little surprising, Trade plunges the audience into the murky and perilous world of the European sex-trafficking industry. Unflinching, unapologetic and at times deeply uncomfortable, Trade is a well performed and thoughtfully directed piece that never shies away from the difficult questions.
Theatre Review: It’s Miss Hope Springs (Assembly Rooms, Edinburgh Festival Fringe) ★★★★
Seemingly answering the question, "what ever happened to Breathless Mahoney?", Ty Jeffries' alter ego is back in Scotland's capital and as unapologetic as ever. A tight hour of classic cabaret, with lines that are witty interspersing tragicomic ditties, Miss Springs' pared-down show is just her, a keyboard and a LOT of sequins and feathers.
