As writer-director Harry Macqueen's Supernova opens we're invited into the old, now seldom used camper van of pianist Sam (Colin Firth) and writer Tusker (Stanley Tucci), who've been together as a couple for decades, as they head to the Lake District. The rich history of their years together is immediately apparent in their rapport and... Continue Reading →
Ron Howard, for me, has always been a journeyman director. He has navigated through a wide variety of genres, always putting the camera in the right place, getting good performances out of his actors, and producing slick, commercial Hollywood product. He hasn’t accomplished, however, a recognizable voice. Face it, we all can spot a Tarantino,... Continue Reading →
The late great film critic Roger Ebert famously said, “The movies are like a machine that generates empathy.” No other film I’ve seen this year has evoked such empathetic feelings in me than Nomadland. I knew within the first ten minutes of watching Chloé Zhao’s followup to her fantastic feature, The Rider, that I would... Continue Reading →
Writer-director Francis Lee's follow up to his stunning 2017 debut feature God's Own Country, immerses us in the imagined day-to-day life of an often overlooked historical figure, English fossil collector and palaeontologist Mary Anning, in the absorbing, exquisitely crafted Ammonite. Mary (Kate Winslet) shares a humble but well-kept home with her ailing widowed mother Molly... Continue Reading →
The experience of watching Jen Rainin and Rivkah Beth Medow's feature documentary Ahead of the Curve, which just played Toronto's Inside Out film festival before heading on to New York's NewFest, is much like spending an hour and half getting lost in the pages of your favourite queer magazine; insightful, stimulating, empowering, with a deep-dive... Continue Reading →
One of the more esoteric films premiering this weekend at the digital Salem Horror Festival is director Ryan Glover’s debut The Strings. I’d call the film a slow-burn, except The Strings doesn’t burn at all. Instead, it’s a deeply unsettling film that sticks to your bones like a deadly winter chill, seeping under your skin... Continue Reading →
As a Jew, I had grown tired of Holocaust narratives in film. Can anyone make anything better or more definitive than Schindler’s List? I’d always been dubious until Son Of Saul proved me wrong. So, with a more open mind, I approached Antebellum, the debut feature by directing partners (and partners in life) Gerard Bush... Continue Reading →
My parents considered themselves cinephiles, but by the time they reached their 40s, they claimed they had seen every story told ever told. When I begged my father to take me to see Alien, he applied that same argument. Due to my persistence, he relented, thanking me afterwards for dragging him to see what he... Continue Reading →
This year’s Outfest Los Angeles LGBTQ Film Festival came to a close tonight with the world premiere of writer-director Travis Fine’s exceptional Two Eyes. Fine, who also serves as editor, effortlessly weaves an ambitious, rich cinematic tapestry with a triptych of narratives that explore and celebrate the spectrum of queerness and gender identity over more than... Continue Reading →
A gay Brooklyn teenager (The Inheritance’s Samuel H. Levine) charts his own sexual awakening and the complexities of his Russian Jewish family in documentarian Eric Steel’s narrative debut Minyan. The work of James Baldwin is certainly in the zeitgeist again as, much like Tomasz Jedrowski's brilliant debut novel Swimming in the Dark, Giovanni’s Room provides... Continue Reading →
