The British Film Institute’s annual LGBTIQ+ film festival Flare is back this month with an exciting lineup of more than 50 feature films, including a few The Queer Review favourites. From March 18th-29th the festival will fill the BFI Southbank with queer cinema, discussions, parties and more. Things kick off with the Opening Night world... Continue Reading →
Following its world premiere at Cannes in 2019 writer/director Levan Akin's gay coming of age drama And Then We Danced went on to enjoy a hugely successful international festival run, including showings at last month's Sundance, picking up awards in cities such as Chicago, New York and Montréal. The premiere in Tbilisi, Georgia, where the... Continue Reading →
From Sundance 2020, The Queer Review’s editor James Kleinmann spoke exclusively with filmmakers Elegance Bratton and Jovan James about their beautiful short film Buck which had its world premiere at the festival on Sunday night. Partly inspired by the deaths of two young Black men under suspicious circumstances in Los Angeles, Buck follows a young... Continue Reading →
This weekend in New York, MIX NYC presents a weekend of Queer Experimental Film Programming at Anthology Film Archives over two evenings. SATURDAY NOVEMBER 23rd: Program One: 7:15-8:30pm “Within There Runs Blood” presented by Eve Oishi and Marisa Hicks-Alcaraz This program represents the vision of two curators whose careers span twenty-five years, beginning with a... Continue Reading →
Author of seven novels including The Beaufort Diaries and Lipshitz Six, or Two Angry Blondes and the non-fiction book Real Man Adventures, T Cooper has had his writing appear in publications such as The New Yorker, The New York Times, Esquire, Harper’s and The Guardian. A graduate of Columbia University, he is currently a professor... Continue Reading →
Mark Blane's semi-autobiographical New York fantasia Cubby toured film festivals this summer, playing at events like OutFest in LA, Frameline in San Francisco, New York's NewFest and Reeling Film Festival in Chicago, among others. It's a film that seems tailor-made for festivals -- quirky, strange, shot on 16mm film, a bit clunky, with subject matter that was never... Continue Reading →
The 63rd BFI London Film Festival is coming (October 2nd - 13th 2019) and the programme has a wealth of queer and queer-friendly films from around the world (not to mention some blockbuster presentations). Here are The Queer Review’s LFF 2019 LGBTQ+ highlights. Matthias & Maxime Xavier Dolan returns to his roots by writing, directing... Continue Reading →
With the 44th Toronto International Film Festival (TIFF) opening on Thursday 5th September, The Queer Review takes a look at some of this year's LGBTQ+ related highlights taking in feature films, documentaries, shorts and animation. Recent years at TIFF have delivered award winning LGBTQ+ gems including BPM (Beats Per Minute), Disobedience, A Fantastic Woman, Call Me By... Continue Reading →
What do you call a rom-com without the com? Technically From Zero to I Love You isn’t a comedy. It’s a gay romance through and through, but it has all the tropes of a rom-com. From the meet-cute, the therapist, the art-gallery job, the zippy title, the improbable scenarios, the side-kicks whose only function is... Continue Reading →
Lucio Castro’s debut feature End of the Century has the essence of a fleeting affair that burns itself into your memory for years to come, and shows a confident authorial voice that holds a lot of promise. Ocho (Juan Barberini) checks into an Airbnb in Barcelona spying a good looking man in the neighbourhood. Later... Continue Reading →
