Tony-nominee, or "one-time Tony-loser" as his husband Gerold apparently likes to playfully tease him, Rory O'Malley recently returned to the role he took over from Jonathan Groff on Broadway, King George III in Lin-Manuel Miranda's Hamilton, at the Pantages Theatre in Los Angeles. While the nation's theatres were dark, one of the things that helped... Continue Reading →
NewFest 2020 Film Review: Keith Haring: Street Art Boy ★★★★
Despite its relatively short running time of just 53 minutes, or perhaps because of it, director Ben Anthony's made-for-television documentary Keith Haring: Street Art Boy, which premiered at NewFest, manages to cover a lot of ground. In fact a parallel emerges of a prolific artist with an intense creative drive, and the film's style which,... Continue Reading →
Exclusive Interview: Stephen Kijak showrunner of HBO Max’s LGBTQ+ rights docu-series Equal “there was queer history in the image making as well as the actual storytelling”
The Max original LGBTQ+ civil rights docu-series Equal premieres on HBO Max today, Thursday October 22nd. Dynamically and stylishly breathing life and potent emotion into queer history, the series recontextualises the Stonewall riots in the final episode, having set out in the previous three episodes the long, often hidden, fight for equality that came before... Continue Reading →