Exclusive Interview: filmmaker John Berardo on his new horror Initiation “we put men in vulnerable half naked positions because the slasher genre does that to women”

If you're a fan of the slasher movies of the 70s and 80s like Black Christmas and The Slumber Party Massacre, or their post-modern dark comedy incarnations like Scream, you'll likely appreciate the edgy, contemporary social media fueled spin that filmmaker John Berardo puts on the subgenre with his gripping and gruesome debut feature Initiation.... Continue Reading →

Book Review: Shooting Midnight Cowboy – Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic by Glenn Frankel ★★★★

I'm not going to call Midnight Cowboy a masterpiece, that is a word that gets thrown around too much (like luxury it has lost it has lost all meaning.) Midnight Cowboy is better than that. It is a perfect film. All of the elements: the script, the direction, the casting, the costumes, the cinematography, the... Continue Reading →

Exclusive Interview: filmmaker Oliver Hermanus on his BAFTA nominated Moffie “I didn’t want the film to get stuck in the weeds of becoming a queer fantasy of men in the military”

In 2009 queer South African filmmaker Oliver Hermanus' debut feature Shirley Adams, which he made while still a student at the prestigious London Film School, premiered in competition at Locarno, with his subsequent film, Beauty (Skoonheid) winning the Queer Palm at the 64th Cannes Film Festival, where it played in the Un Certain Regard competition... Continue Reading →

Film Review: Boys On Film 20 Heaven Can Wait

Peccadillo Pictures' hit LGBTQ short film series Boys on Film has introduced us to a wealth of emerging British and international queer talent over the past two decades. This Monday May 18th sees Peccadillo celebrate its twenieth birthday and the worldwide DVD and VOD (via Vimeo) release of Peccadillo's twenieth gay short film anthology, Boys... Continue Reading →

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