Following this week's world premiere of the hilarious animated scifi musical comedy epic Lesbian Space Princess in the Panorama section at the 75th Berlinale, the Berlin International Film Festival, the film's South Australian writer-director duo Emma Hough Hobbs and Leela Varghese speak exclusively with The Queer Review's editor James Kleinmann about bringing their shared vision... Continue Reading →
MGFF 2025 Film Review: Riley ★★★½
Star high school football player Dakota Riley (Jake Holley) is feeling the pressure. His girlfriend Skylar (Riley Quinn Scott) wants to have sex, but he’s resisting. His best friend Jaeden (Colin McCalla), who is temporarily living with him, seems to be sending out flirty vibes. While his former star-athlete dad Carson (Rib Hillis), who is... Continue Reading →
MGFF 2025 Film Review: In Ashes (Se Gennem Aske) ★★★★
Danish drama In Ashes (Se Gennem Aske), which world premieres at Queer Screen's Mardi Gras Film Festival, follows a gay young man struggling to come to terms with his first heartbreak. Writer-director Ludvig C. Poulsen leaves the audience grasping for details as they are gradually revealed, forming an incomplete but fraught picture of modern love.... Continue Reading →
MGFF 2025 Film Review: High Tide ★★★½
Writer-director Marco Calvani's sweet-hearted emotional drama High Tide succeeds largely thanks to the excellent and honest lead performance by Marco Pigossi as Lourenço, a gay Brazilian in Provincetown left adrift by a series of life events. Stranded in P'town, Lourenço is making a living doing under the table work as a cleaner and handyman. He... Continue Reading →
MGFF 2025 Film Review: Drive Back Home ★★★½
There is an undeniable, gentle warmth to Michael Clowater’s Drive Back Home that defies the frozen Canadian winter backdrop. As two estranged middle-aged brothers reconnect on a long drive from Toronto to the icy New Brunswick countryside—with a few stops along the way—touchingly, the bond between them begins to thaw. Based on true events from... Continue Reading →
Sundance Film Review: Plainclothes ★★★
Writer-director Carmen Emmi's debut feature Plainclothes, which world premiered at Sundance 2025, winning the festival's US Dramatic Special Jury Award for Ensemble Cast, has an enticing premise. In Syracuse, Upstate New York, a young police officer, Lucas (Tom Blyth), has been placed on undercover "plainclothes" duty tasked with entrapping gay men. The assignment involves lingering... Continue Reading →
Sundance 2025 Film Review: Sauna ★★★★
Mathias Broe's seductive debut feature Sauna, which just world premiered in the World Cinema Dramatic Competition at Sundance, is both super sexy and has something to say. Based on Mads Ananda Lodahl's novel of the same name, adapted for the screen by Broe and William Lippert, this contemporary queer story of love and self-discovery set... Continue Reading →
Film Review: Liza – A Truly Terrific Absolutely True Story ★★★★
"They wanted her", performer Jim Caruso—who made his Broadway debut in Liza’s At The Palace! alongside Liza Minnelli—recalls his friend having observed after spending an evening at a party where she could tell that those gathered wanted to be around Liza! the effervescent red sequined star, not simply Liza the person. Director Bruce David Klein's... Continue Reading →
LGBTQ+ highlights at Sundance Film Festival 2025
The Sundance Film Festival returns to Park City and Salt Lake City, Utah for its 41st edition this week, with screenings running in-person from January 23rd to February 2nd. Over half the lineup will be available to audiences across the United States on-demand via the festival's online platform from January 30th to February 2nd, 2025.... Continue Reading →
Exclusive Interview: Oscar-nominee Arthur Dong reflects on his five-decade filmmaking career “a more equitable society has always been my goal”
Following the Criterion Channel's 2021 Arthur Dong retrospective, ten films by the Academy Award-nominated documentary filmmaker have just been released by Kino Lorber with the three-disc Blu-ray Arthur Dong Collection, along with four hours of bonus features. The set includes Dong's first independently made and previously unavailable film, Public from 1970, in a 2K restoration... Continue Reading →
