LGBTQ+ highlights at Sundance 2021

This year's week-long Sundance Film Festival, which opens on Thursday January 28th, will run digitally via a custom-designed online platform (festival.sundance.org) alongside drive-ins, screenings at independent arthouses, and a network of local community partnerships. All films in the program will be available online in the United States, with certain titles opting for global availability. The... Continue Reading →

Exclusive Interview: David Färdmar on his gay breakup movie Are We Lost Forever “I wanted to challenge viewers to think for themselves”

Breaking up is hard to do as Swedish filmmaker David Färdmar explores in his brooding bittersweet debut feature Are We Lost Forever premiering in the UK and Ireland via Peccadillo Pictures on DVD, Blu-ray, and digital on Monday January 18th. When we first meet protagonists Adrian (Björn Elgerd) and Hampus (Jonathan Andersson) they're sitting up... Continue Reading →

Exclusive Interview: Timothy Ware-Hill & Arnon Manor on their powerful Netflix animated short film Cops and Robbers “Black Lives Matter can’t just be a saying it has to be an act”

The gut-wrenchingly powerful, deeply moving and ultimately hopeful animated short film, Cops and Robbers, directed by Arnon Manor and Timothy Ware-Hill, was written and performed by Ware-Hill in response to the murder of Ahmaud Arbery earlier this year. Ware-Hill had initially filmed himself reciting his own impactful poem and posted the video to social media... Continue Reading →

Film Review: The Prom ★★★★

While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →

Film Review: Ammonite ★★★★

Writer-director Francis Lee's follow up to his stunning 2017 debut feature God's Own Country, immerses us in the imagined day-to-day life of an often overlooked historical figure, English fossil collector and palaeontologist Mary Anning, in the absorbing, exquisitely crafted Ammonite. Mary (Kate Winslet) shares a humble but well-kept home with her ailing widowed mother Molly... Continue Reading →

NewFest 2020 Film Review: Sublet ★★★★

Veteran Israeli filmmaker Eytan Fox's outstanding new feature Sublet, co-written with Itay Segal, opens with the arrival of a jetlagged and disorientated fifty something gay man, Michael (The Inheritance's John Benjamin Hickey) to bustling Tel Aviv. He's a travel writer for The New York Times who has come to uncover the "real" city over a... Continue Reading →

Exclusive Interview: Stephen Kijak showrunner of HBO Max’s LGBTQ+ rights docu-series Equal “there was queer history in the image making as well as the actual storytelling”

The Max original LGBTQ+ civil rights docu-series Equal premieres on HBO Max today, Thursday October 22nd. Dynamically and stylishly breathing life and potent emotion into queer history, the series recontextualises the Stonewall riots in the final episode, having set out in the previous three episodes the long, often hidden, fight for equality that came before... Continue Reading →

Exclusive Interview: filmmaker Vivian Kleiman & curator Ashley Clark on Race, Sex & Cinema: The World of Marlon Riggs

This month, the Criterion Channel is celebrating the groundbreaking work and enduring legacy of the late queer Black filmmaker, activist, poet and educator Marlon Riggs. Race, Sex & Cinema: The World of Marlon Riggs features a complete retrospective of his still searingly urgent, provocative, nuanced, and beautifully crafted video work exploring Black identity and representation,... Continue Reading →

Exclusive Interview: New Queer Cinema digital pioneer Todd Verow on his latest feature Goodbye Seventies “all of my films have led up to this one”

Todd Verow's 1995 feature debut Frisk elicited strong reactions, resulting in a near riot, when it world premiered on as the closing night of the 19th San Francisco International Lesbian & Gay Film Festival (now Frameline) at the iconic Castro Theatre, before going on to screen at Sundance, Berlin and Toronto. Based on Dennis Cooper's... Continue Reading →

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