Where have you seen this one before? A grizzled, graying gay filmmaker fixates on a past relationship which prevents him from moving forward in present day. If Pedro Almodóvar’s wonderful Pain And Glory comes to mind, you have just won the trivia contest, but not so fast, as Before We Forget, co-written and directed by... Continue Reading →
I’ve often wondered what people really mean when they say, “They don’t make movies like they used to”. Are they talking about the scripts, directing, cinematography, subject matter, overall tone or something else? When I look back on films from the 1940s, for example, I often experience empty sound editing, flat staging, and tin-eared dialogue.... Continue Reading →
Jun Li's alluring third feature, Queerpanorama (眾生相), received its world premiere at the 75th Berlinale—aptly enough in the festival's Panorama section—where it was in competition for the 39th Teddy Award. Strikingly shot in black and white, it is a bold and inventive meditation on self-discovery that really got under my skin. The protagonist, listed in... Continue Reading →
Brazilian-Italian writer-director duo Filipe Matzembacher and Marcio Reolon made their feature debut in 2015 with the queer coming-of-age drama Seashore (Beira-Mar) which premiered at the Berlinale and went on to win three prizes at the Rio de Janeiro International Film Festival. Their captivating 2018 sophomore feature Hard Paint (Tinta Bruta), exploring the double life of... Continue Reading →
Writer-director Carmen Emmi's debut feature Plainclothes, which world premiered at Sundance 2025, winning the festival's US Dramatic Special Jury Award for Ensemble Cast, has an enticing premise. In Syracuse, Upstate New York, a young police officer, Lucas (Tom Blyth), has been placed on undercover "plainclothes" duty tasked with entrapping gay men. The assignment involves lingering... Continue Reading →
In 2016, Taylor Mac performed a one-time-only, 24-hour immersive theatrical experience in front of a live audience at St. Ann’s Warehouse in Brooklyn. The concert offered an alternative take on U.S. history, narrated through music that was popular from the nation’s founding to the present, with Mac transforming hourly by changing into elaborate, decade-specific costumes... Continue Reading →
Writer-director Mikko Mäkelä's brooding sophomore feature Sebastian, which premiered in the World Cinema Dramatic Competition at the 40th Sundance Film Festival, captivatingly explores the creative process and contemporary conversations around authenticity and authorship. Ruaridh Mollica in Mikko Mäkelä's Sebastian. Courtesy of Kino Lorber. As the film opens, we meet an inexperienced sex worker, Sebastian, as... Continue Reading →
French actor Arnaud Valois garnered international attention and acclaim for his lead turn in writer-director Robin Campillo's 2017 ACT UP drama 120 BPM (120 battements par minute), set in early 90s Paris during the height of the HIV/AIDS crisis, and was recognized at home with a prestigious César Award nomination for Most Promising Actor. His... Continue Reading →
Giuseppe Fiorello’s sun-drenched film Fireworks (Stranizza d'amuri) captures the essence of young queer summer love in the 80s. Impromptu dips in natural creeks; basking in the nighttime heat; the colours of fireworks lighting up the sky. The glorious visuals make the aggressive local culture and homophobia just a bit more bearable until Fiorello is ready... Continue Reading →
If the number of views for the trailer is anything to go by (7.2 million and counting), anticipation is high for the film adaptation of Casey McQuiston’s bestselling novel Red, White & Royal Blue, which premieres globally on Prime Video on Friday, August 11th. Fortunately for playwright Matthew López, who makes his feauture writing and... Continue Reading →
