As Netflix's first gay Christmas rom-com Single All The Way, directed by Tony-winner Michael Mayer and starring Michael Urie, Philemon Chambers, Luke Macfarlane, Jennifer Robertson, Kathy Najimy, and Jennifer Coolidge, launches globally this week, The Queer Review's editor James Kleinmann poured a couple of large glasses of eggnog and had a virtual fireside chat under... Continue Reading →
Exclusive Interview: filmmaker Jesse Moss on his Pete Buttigieg documentary Mayor Pete “I had expected a political story & I found a love story”
Following its opening night screening at NewFest's New York LGBTQ+ Film Festival last month, Emmy and Sundance Grand Jury Award-winning director Jesse Moss' feature documentary Mayor Pete will be released globally on Amazon Prime Video this Friday November 12th. In 2019, the Boys State filmmaker gained surprisingly intimate access to 2020 Democratic Presidential candidate hopeful... Continue Reading →
Film Review: Sex Demon ★★★★ – plays select cities October 2023
Turns out there was a “Demon Twink” out there all along. He was just hiding in a previously believed to be lost film that had stopped circulating in the corners of gay adult films for almost four decades. Following screenings in Los Angeles and New York in 2021, J.C. Cricket’s Sex Demon plays Manhattan's IFC... Continue Reading →
Exclusive Interview: Oscar-nominated filmmaker Arthur Dong on his Criterion Channel retrospective “it’s up to us to find a way to survive & to resist”
In 1984, trailblazing independent filmmaker Arthur Dong received an Oscar nomination for Sewing Woman, a touching documentary short about the life of a Chinese immigrant worker in San Francisco, his mother Zem Ping Dong. This recognition marked the director as an emerging artist to watch, while the film itself exemplified what would become hallmarks of... Continue Reading →
Exclusive Interview: Tony-nominee Rory O’Malley on voicing gay teenager Daniel in Netflix’s Chicago Party Aunt & returning to the stage in Hamilton
Tony-nominee, or "one-time Tony-loser" as his husband Gerold apparently likes to playfully tease him, Rory O'Malley recently returned to the role he took over from Jonathan Groff on Broadway, King George III in Lin-Manuel Miranda's Hamilton, at the Pantages Theatre in Los Angeles. While the nation's theatres were dark, one of the things that helped... Continue Reading →
Exclusive Interview: Jeffrey Friedman on his Oscar-winning decades-long filmmaking partnership with Rob Epstein
This Pride Month the Criterion Channel is showcasing the Oscar-winning work of filmmakers Rob Epstein and Jeffrey Friedman with the eight film collection, Pride and Protest. In 1977, Friedman, who was working as an assistant editor in New York, was struck by the power of queer filmmakers putting queer lives on screen when he encountered... Continue Reading →
The Play’s The Thing – Film Review: Tu Me Manques ★★★★
Based on his semi-autobiographical and groundbreaking play, filmmaker Rodrigo Bellott’s Tu Me Manques became Bolivia’s official International Feature Film Oscar entry. Roughly translating to “I miss you in me”, the film tells the story of Jorge (Oscar Martínez), who travels to New York following his gay son Gabriel’s suicide to atone for how he treated... Continue Reading →
Exclusive Interview: “we are queer creators pushing our way into a straight space” filmmakers Ng Choon Ping & Sam H. Freeman on their SXSW short Femme
Among the queer highlights at last month's SXSW Online 2021 was the short film Femme, by co-writers-directors Ng Choon Ping and Sam H. Freeman. The film stars I May Destroy You's Paapa Essiedu as Jordan, a femme queer man in London who leaves the safety of a night out clubbing with his friends and gets... Continue Reading →
Film Review: Moffie ★★★★★
As writer-director Oliver Hermanus' Moffie opens in Apartheid South Africa in 1981, Nicholas (Kai Luke Brümmer) has just turned 16 making him, along with all other white men of his age, eligible for mandatory military service at a time when the country is engaged in a military operation at the border with Soviet-backed Angola in... Continue Reading →
Exclusive Interview: filmmaker Oliver Hermanus on his BAFTA nominated Moffie “I didn’t want the film to get stuck in the weeds of becoming a queer fantasy of men in the military”
In 2009 queer South African filmmaker Oliver Hermanus' debut feature Shirley Adams, which he made while still a student at the prestigious London Film School, premiered in competition at Locarno, with his subsequent film, Beauty (Skoonheid) winning the Queer Palm at the 64th Cannes Film Festival, where it played in the Un Certain Regard competition... Continue Reading →
