Based on his semi-autobiographical and groundbreaking play, filmmaker Rodrigo Bellott’s Tu Me Manques became Bolivia’s official International Feature Film Oscar entry. Roughly translating to “I miss you in me”, the film tells the story of Jorge (Oscar Martínez), who travels to New York following his gay son Gabriel’s suicide to atone for how he treated... Continue Reading →
As writer-director Oliver Hermanus' Moffie opens in Apartheid South Africa in 1981, Nicholas (Kai Luke Brümmer) has just turned 16 making him, along with all other white men of his age, eligible for mandatory military service at a time when the country is engaged in a military operation at the border with Soviet-backed Angola in... Continue Reading →
In 2009 queer South African filmmaker Oliver Hermanus' debut feature Shirley Adams, which he made while still a student at the prestigious London Film School, premiered in competition at Locarno, with his subsequent film, Beauty (Skoonheid) winning the Queer Palm at the 64th Cannes Film Festival, where it played in the Un Certain Regard competition... Continue Reading →
Dr Emily Garside's guide to which HIV/AIDS narratives to read and watch next after Russell T Davies' acclaimed series It's A Sin. There is a vast array of work to choose from. Since the beginning of the AIDS pandemic those affected began telling their stories, both as an act of memorial, remembering those the government... Continue Reading →
As someone who has lived in Manhattan throughout the pandemic, the black and white shots of the vacant city streets and landmarks which open David Wexler's Disintegration Loops—world premiering at SXSW Online 2021—struck me as one of the most evocative works I've seen so far that captures a sense of what being here was like... Continue Reading →
Tunde Johnson is a normal 17 year old boy. He’s Black; he’s gay; he loves his parents; and he’s been sleeping with the hottest guy in school, even though he’s dating Tunde’s best friend. Oh, and, no matter what he does, every night Tunde is murdered by the Los Angeles Police Department. And then he... Continue Reading →
Veteran Israeli filmmaker Eytan Fox's outstanding new feature Sublet, co-written with Itay Segal, opens with the arrival of a jetlagged and disorientated fifty something gay man, Michael (The Inheritance's John Benjamin Hickey) to bustling Tel Aviv. He's a travel writer for The New York Times who has come to uncover the "real" city over a... Continue Reading →
Breaking up is hard to do as Swedish filmmaker David Färdmar explores in his brooding bittersweet debut feature Are We Lost Forever premiering in the UK and Ireland via Peccadillo Pictures on DVD, Blu-ray, and digital on Monday January 18th. When we first meet protagonists Adrian (Björn Elgerd) and Hampus (Jonathan Andersson) they're sitting up... Continue Reading →
While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →
Veteran Israeli filmmaker Eytan Fox's outstanding new feature Sublet, co-written with Itay Segal, opens with the arrival of a jetlagged and disorientated fifty something gay man, Michael (The Inheritance's John Benjamin Hickey) to bustling Tel Aviv. He's a travel writer for The New York Times who has come to uncover the "real" city over a... Continue Reading →
