Ash Flanders' one-person show, End Of., is a mood. It’s a bizarre ride through death, grammar, and bad acid trips. I guess I’m trying to say that End Of. is a bit messy and incoherent, but then who said the destination had to be as good as the journey anyway? A succession of stories both... Continue Reading →
Theatre Review: Become The One (Riverside Theatre, Sydney) ★★★★
With footballers like Australia's Josh Cavallo and the UK's Jake Daniels bravely coming out, the timing of the return run of Adam Fawcett’s 2019 play Become The One couldn’t be better. How does a relationship work when one of you stays in the closet? What’s the impact on your other relationships? How long can it... Continue Reading →