As writer-director Harry Macqueen's Supernova opens we're invited into the old, now seldom used camper van of pianist Sam (Colin Firth) and writer Tusker (Stanley Tucci), who've been together as a couple for decades, as they head to the Lake District. The rich history of their years together is immediately apparent in their rapport and... Continue Reading →
Veteran Israeli filmmaker Eytan Fox's outstanding new feature Sublet, co-written with Itay Segal, opens with the arrival of a jetlagged and disorientated fifty something gay man, Michael (The Inheritance's John Benjamin Hickey) to bustling Tel Aviv. He's a travel writer for The New York Times who has come to uncover the "real" city over a... Continue Reading →
The 64th BFI London Film Festival (LFF) runs from October 7th-18th, and like many other festivals, Covid-19 restrictions mean that it's taking a different form this year. Given current circumstances the 2020 programme offers a reduced number of feature films, just 58, plus collections of short films and experimenta, but with an expanded reach across... Continue Reading →
The trailer for director Joe Mantello's new screen adaptation of Mart Crowley's The Boys in the Band has just made its debut online. The Ryan Murphy produced film version of this classic play that explores internalised homophobia with poignancy and humour, reunites Mantello with the stellar all gay cast of the Tony-winning 2018 Broadway production.... Continue Reading →
A gay Brooklyn teenager (The Inheritance’s Samuel H. Levine) charts his own sexual awakening and the complexities of his Russian Jewish family in documentarian Eric Steel’s narrative debut Minyan. The work of James Baldwin is certainly in the zeitgeist again as, much like Tomasz Jedrowski's brilliant debut novel Swimming in the Dark, Giovanni’s Room provides... Continue Reading →
“They always forget the ones who were first,” someone says in voiceover in Joe Castel’s remarkable documentary, Nelly Queen: The Life and Times of José Sarria. After watching this essential record of an important life in the LGBTQ+ community, I doubt anyone will forget him. Sarria’s list of accomplishments include establishing the Imperial Court System,... Continue Reading →
In 1977, Arthur J. Bressan Jr. was promoting his landmark documentary Gay USA (1977) on the gay-centered New York City television program Emerald City TV at the height of gay liberation. He dressed unpretentiously in blue jeans and a t-shirt with long-hair and a mustache that made him look more 1960s San Francisco Haight Ashbury... Continue Reading →
The beautiful thing about pop culture is that everyone has their opinions and everyone is right. I think Forrest Gump is the worst Best Picture Oscar winner of all time, whereas you may love its celebration of lowered standards! See? We’re both right! I say this to prepare you for my review of 15 Years,... Continue Reading →
Peccadillo Pictures is doing their bit to get us all through this time of social distancing with their Sofa Club - made up of great queer films and insightful YouTube Q&As. As they say, "You may be distant, but let's get social". This week it's time for The Queer Review favourite, End of the Century... Continue Reading →
Since 1977 San Francisco's Frameline Film Festival has presented LGBTQ+ cinema to a ravenous audience each year. Ravenous? Yes, I meant it. The huge crowds packed into such iconic venues as the palatial Castro Theatre love cinema so much, they'll loudly cheer on what speaks to them. Conversely, you haven't lived until 1400 people hiss... Continue Reading →
