The landmark Pioneers of Queer Cinema retrospective, with free in-person screenings presented by The UCLA Film & Television Archive, IndieCollect, and Outfest, continues in Los Angeles this weekend. The Living End (1992) directed by Gregg Araki. Courtesy of the UCLA Film & Television Archive, IndieCollect and Outfest. Saturday, February 26th at 7:30pm sees a triple... Continue Reading →
Pioneers of Queer Cinema – a landmark retrospective presented by the UCLA Film & Television Archive, IndieCollect & Outfest February 18th – March 28th 2022
Friday, February 18th 2022 sees the start of a landmark retrospective, Pioneers of Queer Cinema, with free in-person screenings across 12 nights in Los Angeles, presented by The UCLA Film & Television Archive, IndieCollect, and Outfest. This diverse survey spans seven decades and comprises 33 works including documentaries, narrative, and experimental features and shorts, drawing... Continue Reading →
SXSW Online 2021 Film Review: Potato Dreams of America ★★★1/2
Writer-director Wes Hurley's Potato Dreams of America, which received its world premiere at SXSW Online 2021, is the inventively told autobiopic of a gay Russian immigrant who falls in love with America as a child through catching pirate television broadcasts of 80s movies as the Iron Curtain falls and emigrates to Seattle when his mother... Continue Reading →
Sundance 2021: B. Ruby Rich to host Barbed Wire Kisses Redux panel with LGBTQ+ filmmakers
The Sundance Film Festival, which runs January 28th to February 3rd, has just announced this year's series of talks, panels, and events including the lineup for The Big Conversation, discussions that explore what's fuelling the imaginations of today’s independent artists. Among the program is Barbed Wire Kisses Redux which will see film scholar B. Ruby... Continue Reading →
Exclusive Interview: New Queer Cinema digital pioneer Todd Verow on his latest feature Goodbye Seventies “all of my films have led up to this one”
Todd Verow's 1995 feature debut Frisk elicited strong reactions, resulting in a near riot, when it world premiered on as the closing night of the 19th San Francisco International Lesbian & Gay Film Festival (now Frameline) at the iconic Castro Theatre, before going on to screen at Sundance, Berlin and Toronto. Based on Dennis Cooper's... Continue Reading →