They/Them (pronounced "They-slash-Them"), marks the directorial debut of Oscar-nominated veteran screenwriter John Logan (Skyfall, Hugo, The Aviator, Gladiator), who brings his own script to the screen with his queer take on the slasher genre. As a lifelong committed horror fan, Logan had longed to see himself represented in the genre. "When I was growing up,... Continue Reading →
Outfest LA 2022 Closing Night Film Review: They/Them ★★★★
Oscar-nominated veteran screenwriter John Logan (Skyfall, Hugo, The Aviator, Gladiator) makes his directing debut with his own skillfully-crafted screenplay for the gripping and bloody terrifying slasher, They/Them (pronounced They-slash-Them), which received its world premiere tonight as it closed the 40th anniversary Outfest Los Angeles LGBTQ+ Film Festival. Carrie Preston as Cora Whistler, Anna Chlumsky as... Continue Reading →
Exclusive Interview: filmmaker John Berardo on his new horror Initiation “we put men in vulnerable half naked positions because the slasher genre does that to women”
If you're a fan of the slasher movies of the 70s and 80s like Black Christmas and The Slumber Party Massacre, or their post-modern dark comedy incarnations like Scream, you'll likely appreciate the edgy, contemporary social media fueled spin that filmmaker John Berardo puts on the subgenre with his gripping and gruesome debut feature Initiation.... Continue Reading →
Exclusive Interview: Sundance horror Knocking star Cecilia Milocco & filmmaker Frida Kempff: “I didn’t want to exploit the female body. We’re so used to seeing that & I’m tired of it”
Frida Kempff's debut narrative feature Knocking (Knackningar), which world premiered at Sundance, is a compelling psychological horror that follows Molly (Cecilia Milocco) in her determination to find the source of the mysterious knocking sounds she can hear from her new apartment, while still grieving the loss of her girlfriend. Read our ★★★★ review of the... Continue Reading →
It’s About Time – Film Review: Antebellum ★★★
As a Jew, I had grown tired of Holocaust narratives in film. Can anyone make anything better or more definitive than Schindler’s List? I’d always been dubious until Son Of Saul proved me wrong. So, with a more open mind, I approached Antebellum, the debut feature by directing partners (and partners in life) Gerard Bush... Continue Reading →
Dress To Kill – The Queer Rearview: In Fabric ★★★★
Owing as much to the Italian giallo films of the 60s and 70s such as Suspiria as it does to Stanley Kubrick at his most arch with A Clockwork Orange, Peter Strickland’s In Fabric blazes out of the gates as one of the loopiest, most gorgeously shot thrillers I’ve seen in ages. Although set in... Continue Reading →