Harri Shanahan and Sian Williams' feature documentary Rebel Dykes, which receives its world premiere as part of the virtual 35th BFI Flare: London LGBTIQ+ Film Festival running March 17th to 28th and its Australian premiere at the Melbourne Queer Film Festival on Friday March 19th, is a rousing, celebratory, and considered examination of London's rebel... Continue Reading →
Ahead of tomorrow's SXSW Online 2021 launch, we take a look at some of the LGBTQ+ feature, short, episodic, VR, and panel discussion highlights at this year's virtual festival. SXSW Online 2021 runs Tuesday March 16th to Saturday March 20th. Explore the full festival lineup at Online.SXSW.com. SXSW Online 2021 LGBTQ+ Panels: Expanding Queer Cinema... Continue Reading →
There is something quintessentially Australian about finding privacy in a wide expanse of nature, and My First Summer, part of the 35th BFI Flare: London LGBTIQ+ Film Festival, uses the depths of Australian forests as a furtive playground for big emotions. A teenage girl, Grace (Maiah Stewardson), witnesses a reclusive writer, Veronica Fox (Edwina Wren),... Continue Reading →
The opening credits sequence of actor and podcast host Dasha Nekrasova's directorial debut The Scary of Sixty-First sets the tone for an Upper East Side contemporary horror, all creepy gargoyles and Eli Keszler's beautifully disquieting score. That unsettling feeling sustains throughout the film, which from the first scene is established as a pitch-dark comedy, likely... Continue Reading →
Writer-director Marion Hill's queer romance Ma Belle, My Beauty had its world premiere at Sundance, going on to win the Audience Award in the NEXT section of the festival. It's a gorgeously sun-drenched character-driven drama set in the South of France where Lane (Hannah Pepper) unexpectedly visits her ex-girlfriend Bertie (Idella Johnson) and Bertie's husband... Continue Reading →
Frida Kempff's debut narrative feature Knocking (Knackningar), which world premiered at Sundance, is a compelling psychological horror that follows Molly (Cecilia Milocco) in her determination to find the source of the mysterious knocking sounds she can hear from her new apartment, while still grieving the loss of her girlfriend. Read our ★★★★ review of the... Continue Reading →
There is something quintessentially Australian about finding privacy in a wide expanse of nature, and My First Summer uses the depths of Australian forests as a furtive playground for big emotions. A teenage girl, Grace (Maiah Stewardson), witnesses a reclusive writer, Veronica Fox (Edwina Wren), commit suicide in a local lake. She also spies another... Continue Reading →
One of the queer highlights at the 2019 Toronto International Film Festival, where writer-director Filippo Meneghetti's debut narrative feature had its world premiere, Two of Us (Deux) went on to a successful international festival run including playing the BFI London Film Festival and Outfest, and winning the Outstanding First Feature Award at last year's Frameline.... Continue Reading →
Part of Sundance 2021's Spotlight program, director Mona Fastvold's Queer Lion-winning The World to Come, adapted from a short story by Jim Shepard, immerses us in the bleak daily life of a contemplative mid-nineteenth century woman, Abigail (Katherine Waterston), living on the stark, unforgiving Northeastern frontier with her husband Dyer (Casey Affleck). The film opens... Continue Reading →
While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →
