Part of Sundance 2021's Spotlight program, director Mona Fastvold's Queer Lion-winning The World to Come, adapted from a short story by Jim Shepard, immerses us in the bleak daily life of a contemplative mid-nineteenth century woman, Abigail (Katherine Waterston), living on the stark, unforgiving Northeastern frontier with her husband Dyer (Casey Affleck). The film opens... Continue Reading →
Film Review: The Prom ★★★★
While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →
Film Review: Ammonite ★★★★
Writer-director Francis Lee's follow up to his stunning 2017 debut feature God's Own Country, immerses us in the imagined day-to-day life of an often overlooked historical figure, English fossil collector and palaeontologist Mary Anning, in the absorbing, exquisitely crafted Ammonite. Mary (Kate Winslet) shares a humble but well-kept home with her ailing widowed mother Molly... Continue Reading →
NewFest 2020 Film Review: Tahara ★★★1/2
Following the suicide of one of their peers, best friends Carrie (Madeline Grey DeFreece) and Hannah (Rachel Sennott) are forced to spend the afternoon at their upstate New York Hebrew school reflecting on the passing of a classmate they apparently hardly knew in this queer dark comedy. Unfurling compellingly more or less in real time,... Continue Reading →
Out on Film Atlanta’s LGBTQ Film Festival goes virtual for 11-day event
Established in 1987, Atlanta's Out On Film LGBTQ Film Festival is in the midst of its 11-day 2020 virtual edition, which ends on Sunday October 4th. The 33rd Out on Film offers a diverse selection of LGBTQIA+ narrative features, documentaries and shorts, with 82 films from 20 countries. The festival opened on September 24th with... Continue Reading →
64th BFI London Film Festival LGBTQ+ highlights
The 64th BFI London Film Festival (LFF) runs from October 7th-18th, and like many other festivals, Covid-19 restrictions mean that it's taking a different form this year. Given current circumstances the 2020 programme offers a reduced number of feature films, just 58, plus collections of short films and experimenta, but with an expanded reach across... Continue Reading →
TIFF 2020: LGBTQ+ highlights at 45th Toronto International Film Festival
The 45th Toronto International Film Festival (TIFF) gets underway this Thursday September 10th and will run both virtually and with limited socially distanced in-person screenings until Saturday September 19th. The Queer Review is looking forward to bringing you news, reviews and interviews from this year's TIFF, which features a number of LGBTQ+ related shorts, documentaries... Continue Reading →
Outfest 2020 Film Review: Cured ★★★★
Patrick Sammon and Bennett Singer's riveting feature documentary Cured, which had its world premiere at Outfest last week, examines the fascinating chapter in queer history that saw gay liberation activists successfully overturn the US psychiatric profession's classification of homosexuality as a mental illness. Using archive photographs and video footage, recently discovered audio recordings, as well... Continue Reading →
Outfest 2020 Film Review: The Carnivores ★★★1/2
Over the years, too many LGBTQ+ films have relied on tired tropes to tell our stories. Coming out angst, U-haul lesbians, and drugged out circuit queens have seemingly been done to death. Imagine my surprise while watching writer/director Caleb Johnson’s The Carnivores, which on the surface trots out the old chestnut of Lesbian Bed Death,... Continue Reading →
Outfest 2020 Film Review: Two of Us (Deux) ★★★1/2
Two pensioners, Nina (Barbara Sukowa) and Madeleine (Martine Chevallier), living across the hall from each other are at the centre of Filippo Meneghetti’s debut feature film, Two of Us (Deux). These women are not just neighbours, friends and companions as Madeleine’s children believe, they are long-term lovers. But when Madeleine is rushed to hospital, Nina... Continue Reading →
