Situations spiral out of control and the classes clash in the juicy lesbian drama, The Origin of Evil (L'origine du mal). Money, murder, and the design choices of the nouveau riche fill the screen in this darkly comic-thriller. Stéphane (a wonderful performance by Call My Agent’s Laure Calamy) works in a factory, packaging anchovies all... Continue Reading →
Mardi Gras Film Festival 2023 Review: The Venus Effect (Venuseffekten) ★★★1/2
Danish lesbian romantic drama, The Venus Effect (Venuseffekten), closes out Queer Screen's 30th Mardi Gras Film Festival with subtle charm. This gentle story is a sexy and sweet treat to round off an excellent 2023 festival. Liv is a young woman on the cusp of change. Living in rural Denmark, she is surrounded by orchards... Continue Reading →
Mardi Gras Film Festival 2023 Review: Gateways Grind ★★★1/2
The Gateways Club, or the Gates as it was known, was the centre of lesbian London for decades. A watering hole in the heart of Chelsea, it one of the only exclusively lesbian venues in London, frequented by a mix of women of all classes, including the likes of author Patricia Highsmith. Running from the... Continue Reading →
The Queer Review 2022 – LGBTQ+ highlights of the year
As 2022 draws to a close, we ask some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture or events that have sustained, stimulated, moved, inspired or brought them joy this year. We hope that you enjoy reading this eclectic selection of theatre, film, TV series, books,... Continue Reading →
Tribeca Festival 2022 Review: You Can Live Forever ★★★★
UPDATE: You Can Live Forever screens at Queer Screen’s 30th Mardi Gras Film Festival running in cinemas in Sydney and on demand Australia-wide from February 15th to March 2nd, 2023. Click here for tickets and more information. Sarah Watts and Mark Slutsky’s debut feature, You Can Live Forever, opens up the world of a Jehovah’s... Continue Reading →
Sydney Film Festival 2022 Review: The Longest Weekend ★★1/2
Australian indie film The Longest Weekend, which received its world premiere at the Sydney Film Festival 2022, keeps its focus tight on the lives of three adult siblings in Sydney's diverse Inner West, whose plans get ripped apart when their estranged father comes back into their lives. From the outside all seems well with the... Continue Reading →
Mardi Gras Film Festival 2022 Review: Mayfly (Efímera) ★★★1/2
Luis Mariano García’s Mayfly is utterly endearing. A coming-of-age story, sprinkled with magic realism that steps over many of the clichés to deliver a charming take on a well-worn genre. Emillia (Danae Reynaud) is a serious, studious high-schooler with her eyes on the prize of a place at a prestigious architecture school. In the library... Continue Reading →
Sundance 2022 Film Review: Am I OK? ★★★1/2
With a screenplay by Lauren Pomerantz (SNL, The Ellen DeGeneres Show), wife and wife co-directors Tig Notaro and Stephanie Allynne refashion the romcom by placing a platonic female friendship at its centre. Now both in their early thirties, Lucy (Dakota Johnson) and Jane (Sonoya Mizuno) have been best friends since high school. It's become comfortable... Continue Reading →
LGBTQ+ highlights at Sundance 2022
UPDATE: January 5th 2022, Sundance announced that the Festival’s in-person Utah elements will be moving online. The Festival will begin Thursday January 20th 2022 as planned with screening schedule adjustments to be announced to account for an online only schedule. The seven satellite partners will host screenings for their local communities from January 28th-30th 2022. With... Continue Reading →
Exclusive Interview: Christin Baker on her latest queer lady rom-com Christmas at the Ranch
'Tis the season for holiday movies, and filmmaker Christin Baker and Tello Films (an LGBTQ+ women's focused production, distribution company, and VOD platform launched by Baker in 2009) have been working to bring queer women to the forefront of the holiday rom-com over the past few years, with 2019's Season of Love and 2020's I... Continue Reading →