Filmmaker Sacha Polak and actress Vicky Knight first collaborated on the acclaimed feature Dirty God about an acid attack survivor, which world premiered at Sundance in 2019 and saw Knight named a Breakthrough Brit by BAFTA and receive both Best Actress and Most Promising Newcomer nominations at that year's British Independent Film Awards (BIFA). Silver... Continue Reading →
Exclusive Interview: stand-up comic Jes Tom on Hannah Gadsby’s Gender Agenda Netflix comedy special – “I am your new queer best frenemy”
New York stand-up comic, writer, and actor Jes Tom follows a sell-out Off-Broadway run of their acclaimed solo show Less Lonely (presented by their friend Elliot Page) with a hilarious set as part of a lineup of seven genderqueer comedians in Hannah Gadsby's Gender Agenda. The comedy special, which was shot at London's iconic Alexandra... Continue Reading →
SAPPH-O-RAMA! A 30 film exploration of the lesbian image in cinema runs at NYC’s Film Forum February 2nd – 13th
SAPPH-O-RAMA, a 30-film series exploring the eccentric, enduring, and genre-encompassing history of the lesbian image in cinema runs at New York City's Film Forum from Friday, February 2nd through Tuesday, February 13th, 2024. This swoon-worthy celebration of the sapphic canon—groundbreaking, cult favorite, or under-seen selections from the silent era to present day—includes films by Dorothy... Continue Reading →
Exclusive Interview: Georgia Oakley & Rosy McEwen on 1980s-set lesbian drama Blue Jean “what happens in the film is still so relevant”
Writer-director Georgia Oakley’s impressive directorial debut Blue Jean is a compelling character study set in northern England in 1988, as Margaret Thatcher’s Conservative government is about to pass the notorious Section 28 of the local Government Act which stigmatized the nation's gay and lesbian population, stoking homophobia—both societal and internal—at the height of the HIV/AIDS... Continue Reading →
Mardi Gras Film Festival 2023 Review: The Origin of Evil (L’origine du mal) ★★★★
Situations spiral out of control and the classes clash in the juicy lesbian drama, The Origin of Evil (L'origine du mal). Money, murder, and the design choices of the nouveau riche fill the screen in this darkly comic-thriller. Stéphane (a wonderful performance by Call My Agent’s Laure Calamy) works in a factory, packaging anchovies all... Continue Reading →
Mardi Gras Film Festival 2023 Review: The Venus Effect (Venuseffekten) ★★★1/2
Danish lesbian romantic drama, The Venus Effect (Venuseffekten), closes out Queer Screen's 30th Mardi Gras Film Festival with subtle charm. This gentle story is a sexy and sweet treat to round off an excellent 2023 festival. Liv is a young woman on the cusp of change. Living in rural Denmark, she is surrounded by orchards... Continue Reading →
Mardi Gras Film Festival 2023 Review: Gateways Grind ★★★1/2
The Gateways Club, or the Gates as it was known, was the centre of lesbian London for decades. A watering hole in the heart of Chelsea, it one of the only exclusively lesbian venues in London, frequented by a mix of women of all classes, including the likes of author Patricia Highsmith. Running from the... Continue Reading →
The Queer Review 2022 – LGBTQ+ highlights of the year
As 2022 draws to a close, we ask some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture or events that have sustained, stimulated, moved, inspired or brought them joy this year. We hope that you enjoy reading this eclectic selection of theatre, film, TV series, books,... Continue Reading →
Tribeca Festival 2022 Review: You Can Live Forever ★★★★
UPDATE: You Can Live Forever screens at Queer Screen’s 30th Mardi Gras Film Festival running in cinemas in Sydney and on demand Australia-wide from February 15th to March 2nd, 2023. Click here for tickets and more information. Sarah Watts and Mark Slutsky’s debut feature, You Can Live Forever, opens up the world of a Jehovah’s... Continue Reading →
Sydney Film Festival 2022 Review: The Longest Weekend ★★1/2
Australian indie film The Longest Weekend, which received its world premiere at the Sydney Film Festival 2022, keeps its focus tight on the lives of three adult siblings in Sydney's diverse Inner West, whose plans get ripped apart when their estranged father comes back into their lives. From the outside all seems well with the... Continue Reading →