CAMP, a new play by Elias Jamieson Brown, chronicles the rise of the Australian Pride movement through the women who fought through their pain and losses to win us the freedoms we enjoy today. It’s a decades spanning tale, elevating Australia’s own Gay Liberation story, just in time for Sydney WorldPride 2023. Sydney, in the... Continue Reading →
There’s a simple pleasure to be had in sitting back and watching everything on stage being done well. Belvoir’s new queer family dramedy, Blessed Union, is seamlessly terrific. Funny, emotive, and probing. Flawless. No notes. I could end the review here, but obviously I won't... Ruth (Danielle Cormack) and Judith (Maude Davey) have always upheld... Continue Reading →
Lizzie, an early 00s power punk-pop musical about Lizzie Borden—the turn-of-the-century axe murderer—has been ripped apart and put back together for the Sydney Festival. Dial down the history, turn up the lesbian rage. “Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father... Continue Reading →
Watching Dead Skin—which won the State Theatre Company of South Australia’s Young Playwright’s Award and had its world premiere at the Kings Cross Theatre Sydney this week—I was impressed by the complexity of the narrative structure, the ease and flow of dialogue that authentically captures the energy and angst of youth, as well as the... Continue Reading →
