Exclusive Interview: Heartstopper director Euros Lyn “we wanted to do something different with season two”

As the second season of hit series Heartstopper based on Alice Oseman's bestselling graphic novels launches globally on Netflix this week, The Queer Review's editor James Kleinmann speaks exclusively with its BAFTA-winning director Euros Lyn. In the opening episode, we're reunited with new boyfriends in the midst of first love, Charlie (Joe Locke) and Nick... Continue Reading →

Exclusive Interview: Georgia Oakley & Rosy McEwen on 1980s-set lesbian drama Blue Jean “what happens in the film is still so relevant”

Writer-director Georgia Oakley’s impressive directorial debut Blue Jean is a compelling character study set in northern England in 1988, as Margaret Thatcher’s Conservative government is about to pass the notorious Section 28 of the local Government Act which stigmatized the nation's gay and lesbian population, stoking homophobia—both societal and internal—at the height of the HIV/AIDS... Continue Reading →

Theatre Review: Judy Gold in Yes, I Can Say That! (59E59 Theaters, New York) ★★★★★

Based on her on 2020 book—Yes, I Can Say That: When They Come for the Comedians, We Are All in Trouble—Emmy-winning veteran comedian Judy Gold's thrillingly ambitious new one-woman show—Yes, I Can Say That!—examines stand-up comedy’s ability to speak truth to power, and the dangers of censoring and silencing comedians. Not only is it provocative,... Continue Reading →

Mardi Gras Film Festival 2023 Review: The Origin of Evil (L’origine du mal) ★★★★

Situations spiral out of control and the classes clash in the juicy lesbian drama, The Origin of Evil (L'origine du mal). Money, murder, and the design choices of the nouveau riche fill the screen in this darkly comic-thriller. Stéphane (a wonderful performance by ​​Call My Agent’s Laure Calamy) works in a factory, packaging anchovies all... Continue Reading →

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