Edinburgh Festival Fringe 2026 Theatre Review: Linus Karp Was Hit With An Umbrella (Underbelly Bristo Square) ★★★★

An unusually personal and introspective show, Linus Karp shares his experience and the aftermath of being a victim of a queer hate crime. Awkward Prods are a fringe staple, award-winning producers of the camp creations Diana: The Untold and Untrue Story and Gwyneth Goes Skiing. The real-life events that this show is based on took… Continue Reading →

Edinburgh Festival Fringe 2026 Theatre Review: Buggers (Pleasance Courtyard) ★★★★★

Thoroughly researched and deeply felt, Alistair Hall's Buggers is a unflinching look at the passionate, codependent and often violent relationship between artist Francis Bacon and his lover-muse George Dyer. Alistair Hall and Peter Clements. Photo credit: Giulia Ferrando. Structured like one of Bacon's triptychs, we absorb three snapshots in the men's eight year relationship: beginning,... Continue Reading →

Edinburgh Festival Fringe 2026 Theatre Review: Fempaths: Transistor Radio Hour (Underbelly Bristo Square) ★★★★

She's here, she's queer, so you'd better get used to it. Fempaths: Transistor Radio Hour is an unashamedly political piece that uses LGBTQ+ history set to music to give voice to those that are often overlooked. Mari Moriarty. Photo credit: Queergarden. Kicking off with the radio style implied by the title, Fempath (Mari Moriarty), cellist... Continue Reading →

Edinburgh Festival Fringe 2026 Theatre Review: Pimm’s Without The Cucumber (Paradise in the Vault) ★★★

Lucas Kad's semi-autobiographical play, Pimm's Without The Cucumber, is a coming-of-age story that examines queer masculinity and the pressures on today's young men. Lucas Kad. Photo credit: Second Law Theatre Company. Kad comes bursting onto the stage as Jordan, a young man with main character energy who addresses the audience in the style of a... Continue Reading →

Edinburgh Festival Fringe 2026 Theatre Review: Safety (Underbelly Bristo Square) ★★★★

Michael Reid's new solo play, Safety, is a taught thriller about a psychotherapist and his relationship with a patient who discontinues treatment. Cleverly written and expertly performed, the piece explores the erosion of boundaries and where the line is in a professional context. Michael Reid. Photo credit: Philip Vukelich. Reid's play is informed by the... Continue Reading →

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