The Queer Review is honoured to be among the nominees in the 37th Annual GLAAD Media Awards announced today, receiving a third consecutive nomination in the Outstanding Independent Journalism (formerly Outstanding Blog) category, while one of the buzziest shows of the year, Heated Rivalry, is nominated in the Outstanding New TV Series category. As the... Continue Reading →
As 2025 draws to a close, we invite some friends of The Queer Review, including prominent creators, performers, and activists to share the LGBTQ+ culture that has sustained, stimulated, moved, inspired, or brought them solace this year. We hope that you enjoy this eclectic selection and discover something new to revel in. We would love... Continue Reading →
Actor and writer Daniel K. Isaac is known for giving smart, nuanced, and playful performances and has a quietly commanding presence on stage and screen that draws the viewer in. Let's face it, those dreamboat good looks and that killer smile don't hurt either. Alongside creating his own work, such as his playwriting debut Once... Continue Reading →
On December 19th, 1974 writer Linda Rosenkrantz invited her close friend, photographer Peter Hujar, to her New York apartment on the Upper East Side to describe in detail how he had spent the entirety of the previous day. The tape-recorded conversation was part of a planned larger project by Rosenkrantz, intended to gather the recollections... Continue Reading →
With a career spanning more than three decades, Ira Sachs is one of the most acclaimed American independent filmmakers of his generation with work in the permanent collections of the Museum of Modern Art and the Whitney. Among many accolades, his brooding queer feature, Keep The Lights On, won the Teddy Award at the 2012... Continue Reading →
80-year-old self-taught erotic artist Sal Salandra's vibrant needlepoint "thread paintings" pulsate with a playful carnal energy that unapologetically celebrates the bliss of gay sex in all its variety. Salandra's use of a medium that is typically associated with more neutral, traditionally domestic motifs to conjure kinetic scenes of fisting, orgies, and BDSM gives the work... Continue Reading →
Welcome to the November edition of The Queer Agenda, The Queer Review’s curated monthly guide to LGBTQ+ cultural happenings in New York City and beyond. Unidentified photographer, Gladys Bentley (1907-1960), ca. 1940. Silver and photographic gelatin on photographic paper. Collection of the Smithsonian, National Museum of African American History and Culture. Continues through March 8,... Continue Reading →
Mihir Kumar is currently starring in one of New York's most talked about plays of the year—Jordan Tannahill's Prince Faggot directed by Shayok Misha Chowdhury—in an extended run at Studio Seaview through December 13th, 2025, following a sell-out world premiere stint at Playwrights Horizons this summer. The play, which marks Kumar's stunning Off-Broadway debut, sees... Continue Reading →
I have a confession to make. I really didn’t like the late, great William Hurt’s performance in the 1985 film, Kiss Of The Spider Woman. I don’t care that he won the Oscar, I found him way too mannered, affected, and “playing gay” the entire time. Hurt should have won two years later for his... Continue Reading →
Carmen Emmi's Sundance Award-winning debut feature Plainclothes, starring Tom Blyth and Russell Tovey, is now playing in New York and Los Angeles and expands to more cities over the coming weeks. Set in upstate New York in 1997, Blyth plays a young undercover cop, Lucas, who is assigned to patrol a shopping mall restroom to... Continue Reading →
