Since 1977 San Francisco's Frameline Film Festival has presented LGBTQ+ cinema to a ravenous audience each year. Ravenous? Yes, I meant it. The huge crowds packed into such iconic venues as the palatial Castro Theatre love cinema so much, they'll loudly cheer on what speaks to them. Conversely, you haven't lived until 1400 people hiss... Continue Reading →
BFI Flare: London LGBTIQ+ Film Festival 2020 Cancelled due to COVID-19 pandemic
The British Film Institute has taken the difficult decision to cancel this year's LGBTQI+ Flare festival, two days before it was due to begin "due to the scale and complexity of running a large international film festival with filmmakers set to travel from across the world". In a statement released to media the BFI said,... Continue Reading →
34th BFI Flare: London LGBTIQ+ Film Festival Highlights
The British Film Institute’s annual LGBTIQ+ film festival Flare is back this month with an exciting lineup of more than 50 feature films, including a few The Queer Review favourites. From March 18th-29th the festival will fill the BFI Southbank with queer cinema, discussions, parties and more. Things kick off with the Opening Night world... Continue Reading →
Exclusive Interview: And Then We Danced filmmaker Levan Akin
Following its world premiere at Cannes in 2019 writer/director Levan Akin's gay coming of age drama And Then We Danced went on to enjoy a hugely successful international festival run, including showings at last month's Sundance, picking up awards in cities such as Chicago, New York and Montréal. The premiere in Tbilisi, Georgia, where the... Continue Reading →
Exclusive Sundance 2020 Interview: Buck Filmmakers Elegance Bratton & Jovan James
From Sundance 2020, The Queer Review’s editor James Kleinmann spoke exclusively with filmmakers Elegance Bratton and Jovan James about their beautiful short film Buck which had its world premiere at the festival on Sunday night. Partly inspired by the deaths of two young Black men under suspicious circumstances in Los Angeles, Buck follows a young... Continue Reading →
Exclusive Interview: Leave it to Levi star Levi Karter
26 year-old gay porn star Levi Karter is the subject of the surprisingly touching and thought-provoking documentary from CockyBoys Leave It To Levi, which premieres in Hollywood this week. The film, directed by Jake Jaxson, focuses on the fallout when Levi's mother Anne discovered her son was doing porn and her gradual acceptance of his... Continue Reading →
MIX NYC Queer Experimental Film Weekend at Anthology Film Archives Nov 23-24th
This weekend in New York, MIX NYC presents a weekend of Queer Experimental Film Programming at Anthology Film Archives over two evenings. SATURDAY NOVEMBER 23rd: Program One: 7:15-8:30pm “Within There Runs Blood” presented by Eve Oishi and Marisa Hicks-Alcaraz This program represents the vision of two curators whose careers span twenty-five years, beginning with a... Continue Reading →
Exclusive Interview: Trans Bodybuilding Documentary Man Made Director T Cooper
Author of seven novels including The Beaufort Diaries and Lipshitz Six, or Two Angry Blondes and the non-fiction book Real Man Adventures, T Cooper has had his writing appear in publications such as The New Yorker, The New York Times, Esquire, Harper’s and The Guardian. A graduate of Columbia University, he is currently a professor... Continue Reading →
DOC NYC 2019 Film Review: I’m Gonna Make You Love Me ★★★★★
Karen Bernstein’s I’m Gonna Make You Love Me received its world premiere at DOC NYC, America’s largest documentary film festival, in New York tonight. The deeply personal, artfully executed film weaves archive footage, photographs, classic movie clips and talking head interviews to paint an intimate portrait of Brian Belovitch. Assigned male at birth, Belovtich transitioned... Continue Reading →
Film Review: Cubby ★★1/2
Mark Blane's semi-autobiographical New York fantasia Cubby toured film festivals this summer, playing at events like OutFest in LA, Frameline in San Francisco, New York's NewFest and Reeling Film Festival in Chicago, among others. It's a film that seems tailor-made for festivals -- quirky, strange, shot on 16mm film, a bit clunky, with subject matter that was never... Continue Reading →