GALECA: The Society of LGBTQ Entertainment Critics announced this week that it is expanding its mission to honor Broadway and Off-Broadway productions, across a variety of inaugural categories, beginning with the 2022-2023 theater season. Following GALECA’s established Dorian film and TV honors, its Dorian Theater Awards will celebrate both mainstream and LGBTQ+ themed productions. While... Continue Reading →
Exclusive Interview: Composer Paul Englishby on his music for The Inheritance “my feeling was that the music should gently put it’s arm around the audience”
With Matthew Lopez's multi-Olivier winning The Inheritance now in its final weeks on Broadway The Queer Review's editor James Kleinmann spoke exclusively with composer Paul Englishby about creating the play's achingly beautiful music. Scoring for theatre, film, television, dance and opera, Englishby is perhaps best known for his BAFTA-nominated work on BBC's Luther starring Idris Elba. His jazz inflected... Continue Reading →
Some personal thoughts on The Inheritance
One may as well start with the Young Vic’s emails to its mailing list (my God, how many articles about The Inheritance have started with variations on that line). Back in 2017 when Angels In America (starring Nathan Lane and Andrew Garfield) was playing at the National Theatre, the Young Vic was announcing the last... Continue Reading →
John Cameron Mitchell presents Entertaining Mr Sloane in 35mm at The Quad
As part of New York's LGBTQ film festival NewFest's monthly Coming Out Again series at The Quad cinema, filmmaker and actor John Cameron Mitchell will present director Douglas Hickox's 1970 dark comedy Entertaining Mr Sloane, based on the play by Joe Orton. Mitchell, who can be seen in the new Hulu series Shrill, describes Sloane on the Quad... Continue Reading →