Mike Bartlett’s Cock, last seen in London in 2011, is not just a source of endless childish sniggers in the West End—though we are grateful for that—it is an innovative revisiting of an important queer play, directed by Marianne Elliott. Barlett was inspired by cock fighting in Mexico, mashed up with questions about sexuality and... Continue Reading →
Jujubee is standing by the stage door, taking photographs with fans and laughing. “It’s so stupid. It’s SO STUPID, but it’s FUN stupid!” She says, succinctly summing up Death Drop. Reader, this show is so dumb, it’s genius! Category is “Drag-atha Christie”. Take the classic British murder-in-a-manor-house plot, fill the cast with drag kings and... Continue Reading →
The tale of a middle-aged white gay New Yorker having romantic issues might not be the story the world is desperately crying out for at the moment, but Steve—now playing at the newly renamed Seven Dials Playhouse in London—is brisk, bright, and funny. There’s a sense of new beginnings about this production bringing Mark Gerrard’s... Continue Reading →
Complex, challenging and more than a little surprising, Trade plunges the audience into the murky and perilous world of the European sex-trafficking industry. Unflinching, unapologetic and at times deeply uncomfortable, Trade is a well performed and thoughtfully directed piece that never shies away from the difficult questions.
It’s been a strange year, we all know it. Some of us found out we were brilliant bread bakers, others discovered they had a fitness fanatic within them, and some just hid under the covers and waited for the world to stop being a really scary place. Jack Holden however decided to sit down and... Continue Reading →
I May Destroy You, a co-production between HBO and the BBC, is fast becoming one of the most talked about television series of the year on both sides of the Atlantic. Centring authentic Black voices and exploring frank and nuanced questions around sexual consent and exploitation it is compelling and essential viewing. Written and created... Continue Reading →
Who's afraid of Virginia Woolf? When you go to see a play about the famed writer you really don't expect to be laughing at bad sexting and awkward nudes! V&V, an entertaining new two-hander currently playing at The Vaults in London, juxtaposes the literary love affair of Woolf and socialite Vita Sackville-West with the modern... Continue Reading →
The concept of award-winning poet Oakley Flanagan's debut play, produced by the female and LGBTQIA+ led OPIA Collective in partnership with Gendered Intelligence, This Queer House was intriguing. The press blurb tempted me in: "A young queer couple inherit a home. A joint renovation project begins. A restless house gathers strength." I immediately wondered about... Continue Reading →
Created in collaboration with LGBTQ+ homeless or formerly homeless people (24% of the UK’s homeless youth population identifies as LGBTQ+), No Sweat unravels the experiences of three young Londoners. Written and directed by Vicky Moran, the enlightening and surprising, sometimes shocking play brings into sharp focus an issue that is largely hidden in our our... Continue Reading →
Kevin Elyot’s debut play, Coming Clean, is back as the King's Head Theatre’s production returns to London’s West End. In pre-AIDS 80s Thatcherite Britain a gay couple Tony (Lee Knight) and Greg (Stanton Plummer-Cambridge) feel out the boundaries of their long-term relationship. Enter a young, sexy cleaner named Robert (Jonah Rzeskiewicz) who puts things to... Continue Reading →
