I’ve spent the last few days in a Mariah Carey shaped hole, chronologically working my way through her discography on Apple Music (other music services are available), while reading Andrew Chan’s adoring and insightful book, Why Mariah Carey Matters. Chan has convinced me that we have never really given the elusive chanteuse her due as... Continue Reading →
Theatre Review: Circle Jerk ★★★★
Michael Breslin and Patrick Foley's frequently hilarious high camp queer absurdist dark comedy Circle Jerk is very 2020. It's confronting, chaotic, unrelenting, far-fetched, deranged, and overstimulating. The theatrical equivalent of spending 100 minutes or so multi-screen doom scrolling yourself down a wormhole of alt right conspiracy theory threads punctuated with viral TikTok lip sync videos... Continue Reading →