Theresa Rebeck’s Bernhardt/Hamlet is probing gender politics and a brilliant showcase for Kate Mulvany in Melbourne Theatre Company’s rambunctious new production. Sarah Bernhardt (Mulvany), the Meryl Streep of the late 19th and early 20th century, is looking for a new challenge to suit her towering talents now that she's aging out playing ingénues. So she... Continue Reading →