Exclusive Interview: filmmaker Oliver Hermanus on his BAFTA nominated Moffie “I didn’t want the film to get stuck in the weeds of becoming a queer fantasy of men in the military”

In 2009 queer South African filmmaker Oliver Hermanus' debut feature Shirley Adams, which he made while still a student at the prestigious London Film School, premiered in competition at Locarno, with his subsequent film, Beauty (Skoonheid) winning the Queer Palm at the 64th Cannes Film Festival, where it played in the Un Certain Regard competition... Continue Reading →

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