Daddy Bond, we've been expecting you. And I'm not just thinking about the way that bespoke slim-fit Tom Ford tux clings to those biceps and quads, or the way that wet white shirt shows off his pecs towards the film's epic climax, that salt and pepper hair, those characterfully creased chiseled features, or Bond sitting... Continue Reading →
Paul Verhoeven's Benedetta, which receives its North American premiere at the 59th New York Film Festival this weekend, is a delectable cloak-and-dagger queer period drama. Inspired by real events and based on the 1986 book Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy by Judith C. Brown, David Birke (Elle) and Verhoeven's... Continue Reading →
Based on the hit West End show, which was inspired by a true story—or as the opening titles put it, "this really happened, then we added the singing and the dancing"—Everybody's Talking About Jamie is a gem of a movie musical. Director Johnathan Butterell's screen adaptation made its Los Angeles debut last night under (and... Continue Reading →
Directors Chen Hung-i and Muni Wei’s gender-fluid screen reinterpretation of Shakespeare’s As You Like It (now As We Like It) is a colourful, bold, fresh and often messy treat of a movie that pushes boundaries with unbridled joy. Made with an all-female lead cast (a nod to Taiwanese opera, and to the performance history of... Continue Reading →
Sometimes a movie comes along and meets its moment, transcending its innate flaws to feel more important, more powerful than it may have been perceived otherwise. In The Heights, the long-awaited film adaptation of Lin-Manuel Miranda’s pre-Hamilton Tony Award-winner, initially had a Summer 2020 release date, but now lands at a time where we’ve suffered... Continue Reading →
Based on his semi-autobiographical and groundbreaking play, filmmaker Rodrigo Bellott’s Tu Me Manques became Bolivia’s official International Feature Film Oscar entry. Roughly translating to “I miss you in me”, the film tells the story of Jorge (Oscar Martínez), who travels to New York following his gay son Gabriel’s suicide to atone for how he treated... Continue Reading →
Guy Ritchie's latest, Wrath of Man, based on the 2004 French thriller Le convoyeur, stars action man Jason Statham as H ("like the bomb, or Jesus H") a new employee at an armoured truck company, Fortico, that transports millions of dollars in cash around Los Angeles each day. He joins the firm two months after... Continue Reading →
Writer-director Nikole Beckwith's Together Together, which world premiered at Sundance where it was in the running for the festival's Grand Jury Prize, refreshes the rom-com genre by placing a mellow and touching odd couple platonic friendship at its centre (a plat-com). As the film opens we meet twenty-something Anna (Patti Harrison), a coffee shop barista... Continue Reading →
As writer-director Oliver Hermanus' Moffie opens in Apartheid South Africa in 1981, Nicholas (Kai Luke Brümmer) has just turned 16 making him, along with all other white men of his age, eligible for mandatory military service at a time when the country is engaged in a military operation at the border with Soviet-backed Angola in... Continue Reading →
As someone who has lived in Manhattan throughout the pandemic, the black and white shots of the vacant city streets and landmarks which open David Wexler's Disintegration Loops—world premiering at SXSW Online 2021—struck me as one of the most evocative works I've seen so far that captures a sense of what being here was like... Continue Reading →
