Even Before the show's exhilarating, propulsive opening ensemble number "The Gospel" is over, it is clear that this is going to be a special night. Alicia Keys' 12-years-in-the-making loosely autobiographical musical, Hell's Kitchen, with a book by Pulitzer Prize-finalist playwright Kristoffer Diaz, is a breathtaking triumph. No wonder a Broadway transfer from its extended sell-out... Continue Reading →