Young, hot and strapped for cash, Sugar is looking for love in all the wrong places. Skillfully performed and multi-layered, this is confessional cabaret at its very sweetest. Photo Credit: Meagan Harding Bursting with youthful exuberance and a knowing smile, Tomáš Kantor takes to the stage full of attitude and sassy vocals. A self-confessed "genderqueer... Continue Reading →
Celebrating the 150th anniversary of Henry Cyril Paget's birth, How to Win Against History returns to the Edinburgh Festival Fringe, in a production that is daring, dazzling and diamante-studded. Photo Credit: Pamela Raith Photography This camp musical romp tells the story of Paget's life, from childhood to becoming the 5th Marquess of Anglesey, and ending... Continue Reading →
Loud, proud and in your face - it is time to meet The Cockettes. Birthed in the era of free love and flower power, this flamboyant group of misfits are back to give Edinburgh audiences a San Francisco slice of queer history. Photo credit: Damian Robertson Founded by "Hibiscus" (a.k.a. George Harris), most recognisable for... Continue Reading →
Four decades from now on the outskirts of Seoul, South Korea, the handsome and immaculately groomed Oliver (Darren Criss) spends his days contentedly confined to his stylish but tiny single-room apartment. He one-sidedly converses with his houseplant, HwaBoon (a far more amicable herbage than the man-eater Criss encountered Off-Broadway in Little Shop of Horrors), listens... Continue Reading →
Written and performed by Todd Almond, I'm Almost There charts an absurdist, quirky odyssey towards love and decent coffee. Todd Almond in I'm Almost There. Photo credit: Mihaela Bodlovic. After meeting the man of his dreams at a "big gay brunch" in a triplex in Tribeca, all Todd Almond's character has to do to clinch... Continue Reading →
Full to the brim with catchy tunes, comedic lines and almost through-sung, Darby James' Little Squirt is the perfect offspring of solo theatre and cabaret. You might expect a one-man-musical about sperm donation to be full of smutty seaman gags - and you would be right. What is unexpected about Little Squirt, however, is how... Continue Reading →
Bold, brash and unapologetic, Pop Off, Michelangelo! shows the Renaissance period as it has never been seen before. Written by Dylan MarcAurele and directed by Joe McNeice, this is pure fun, musical silliness, with an extra helping of camp. Aidan Maccoll and Max Eade in Pop Off, Michelangelo! Photo credit: Steve Ullathorne. With a strong... Continue Reading →
This charismatic, coming of age journey is skillfully performed and deftly devised. It challenges the audience to consider how liberals centre themselves in coming-out narratives, and question if tolerance is enough to end systemic oppression. Axel Ingi Árnason and Bjarni Snæbjörnsson in Good Morning, Faggi. Photo Credit: Leifur Wilberg. Good Morning, Faggi is the kind... Continue Reading →
This new musical about the life of Scottish child star, Lena Zavaroni, paints a stark picture of the dark side of living in the bright lights. Jon Culshaw and Erin Armstrong in Lena. Photo Credit: McCredie. While many will remember the diminutive singing sensation, who won Opportunity Knocks a record-breaking five times in a row... Continue Reading →
Six meets Thunderdome in this dystopian musical, loosely based on the life of Oscar Wilde. The music is pumping, the singing is loud, but the plot is lost in this superficial soundscape.
