I’ve often wondered what people really mean when they say, “They don’t make movies like they used to”. Are they talking about the scripts, directing, cinematography, subject matter, overall tone or something else? When I look back on films from the 1940s, for example, I often experience empty sound editing, flat staging, and tin-eared dialogue.... Continue Reading →
Exclusive Interview: On Swift Horses director Daniel Minahan “queer people always find each other”
Emmy and Peabody-winning writer, producer, and director Daniel Minahan's screen career spans nearly three decades. His first major credit was as co-screenwriter with Mary Harron on I Shot Andy Warhol in 1996. More recently he directed the Netflix miniseries Halston, and has directed episodes of Fellow Travelers, Ratched, Hollywood, American Crime Story: The Assassination of... Continue Reading →
