One of the queer highlights at the 2019 Toronto International Film Festival, where writer-director Filippo Meneghetti's debut narrative feature had its world premiere, Two of Us (Deux) went on to a successful international festival run including playing the BFI London Film Festival and Outfest, and winning the Outstanding First Feature Award at last year's Frameline.... Continue Reading →
Outfest 2020 Film Review: Cured ★★★★
Patrick Sammon and Bennett Singer's riveting feature documentary Cured, which had its world premiere at Outfest last week, examines the fascinating chapter in queer history that saw gay liberation activists successfully overturn the US psychiatric profession's classification of homosexuality as a mental illness. Using archive photographs and video footage, recently discovered audio recordings, as well... Continue Reading →
Exclusive Interview: trans non-binary trailblazer Kate Bornstein on her new film Two Eyes “doing this role taught me a lot about how I want to act in the world”
The world premiere of writer-director Travis Fine's stunning queer cinematic tapestry Two Eyes will close this year's Outfest Los Angeles LGBTQ Film Festival tonight, Sunday August 30th, with both drive-in and virtual screenings. Set over three time periods - 1860s, 1970s and present day - we're introduced to a diverse range of characters at different... Continue Reading →
Exclusive Interview: star of Outfest 2020 Closing Night film ‘Two Eyes’ Nakhane “I’m drawn to the whole idea of play in queer identity”
This year's Outfest Los Angeles LGBTQ Film Festival closes on Sunday August 30th with both drive-in and virtual screenings of Travis Fine's exceptional Two Eyes. It's an ambitious, stirring, rich cinematic tapestry that weaves a triptych of narratives exploring the spectrum of queerness and gender identity over more than a hundred years. Set in the... Continue Reading →
Outfest 2020 Film Review: Girls Shorts
Like Boys Shorts, Outfest’s Girls Shorts program always sells out. I’ve often felt guilty slipping into the theater on a Press Pass, taking a seat from a young lesbian in the standby line who really wanted to see herself up on that screen. With the festival streaming online this year, goodbye guilt and hello girls!... Continue Reading →
Outfest 2020 Film Review: The Strong Ones (Los Fuertes) ★★★1/2
What is it about remote fishing villages that are so romantic? The gorgeous vistas of the windswept ocean... the hardscrabble men with their windswept hair... the way everyone wears enviable cable-knit sweaters... the extra likelihood of being caught in the rain together...? The remote fishing village in The Strong Ones (Los Fuertes) is in Chile,... Continue Reading →
Outfest 2020 Film Review: Boys Shorts
For many years, most LGBTQ+ festivals reserved their best short films for the Boys and Girls Shorts programs. Usually deemed the sexiest, funniest, or most cinematic of the bunch, they typically play to sold out audiences. Fortunately, shorts submissions have diversified and have showcased such incredible talent that festivals like Outfest offer a whole host... Continue Reading →
Outfest 2020 Film Review: Dramarama ★★★★
Jonathan Wysocki’s debut feature Dramarama is about the last summer after high school, after the curtain has fallen in the high school auditorium for the last time, just before the cast is about to split up and head their separate ways, everyone going off to college to pursue their dreams. Gene (Nick Pugliese) has decided... Continue Reading →
Exclusive Interview: teen comedy Dramarama filmmaker Jonathan Wysocki – “I feel like there’s a secret society of us.”
One of the best films so far at this year’s Outfest Los Angeles LGBTQ Film Festival is Dramarama, a sweet comedy about five drama club friends getting together for one last murder-mystery dinner party before they all go off to college. It’s an unconventional teen flick, one where the characters are largely resistant to change instead... Continue Reading →
Outfest 2020 Film Review: The Carnivores ★★★1/2
Over the years, too many LGBTQ+ films have relied on tired tropes to tell our stories. Coming out angst, U-haul lesbians, and drugged out circuit queens have seemingly been done to death. Imagine my surprise while watching writer/director Caleb Johnson’s The Carnivores, which on the surface trots out the old chestnut of Lesbian Bed Death,... Continue Reading →