Mark Blane's semi-autobiographical New York fantasia Cubby toured film festivals this summer, playing at events like OutFest in LA, Frameline in San Francisco, New York's NewFest and Reeling Film Festival in Chicago, among others. It's a film that seems tailor-made for festivals -- quirky, strange, shot on 16mm film, a bit clunky, with subject matter that was never... Continue Reading →
What do you call a rom-com without the com? Technically From Zero to I Love You isn’t a comedy. It’s a gay romance through and through, but it has all the tropes of a rom-com. From the meet-cute, the therapist, the art-gallery job, the zippy title, the improbable scenarios, the side-kicks whose only function is... Continue Reading →
Lucio Castro’s debut feature End of the Century has the essence of a fleeting affair that burns itself into your memory for years to come, and shows a confident authorial voice that holds a lot of promise. Ocho (Juan Barberini) checks into an Airbnb in Barcelona spying a good looking man in the neighbourhood. Later... Continue Reading →
I have a very rare and unusual relationship to A Nightmare On Elm Street 2: Freddy’s Revenge. Long considered the gayest horror movie ever made, its homo panic subtext, which really just plays as text, feels unmistakable through a modern lens, but back then? It depends on who you ask. I should know. I was... Continue Reading →
Rachel Mason’s Circus of Books, which had its world premiere at the Tribeca Film Festival in April, opens the Outfest LGBTQ Film Festival tonight at the Orpheum Theatre, Los Angeles. Acquired at Tribeca by Netflix, the documentary's lead subjects, Karen and Barry Mason, are the filmmaker’s parents and the unlikely owners of the titular long-running Los Angeles gay porn store,... Continue Reading →
