This Friday December 18th sees the global Netflix release of the hotly awards-tipped Ma Rainey's Black Bottom, adapted from Pulitzer Prize winner August Wilson's 1984 play, starring Viola Davis as the trailblazing “Mother of the Blues”. The film, which marks Chadwick Boseman's final powerhouse screen performance, takes place during a recording session with Ma and... Continue Reading →
The Queer Review meets Ma Rainey’s Black Bottom star Colman Domingo “she was fighting so many systems at that time being a gay woman in a male dominated industry”
