There is something quintessentially Australian about finding privacy in a wide expanse of nature, and My First Summer uses the depths of Australian forests as a furtive playground for big emotions. A teenage girl, Grace (Maiah Stewardson), witnesses a reclusive writer, Veronica Fox (Edwina Wren), commit suicide in a local lake. She also spies another... Continue Reading →
LGBTQ+ films Flee & Ma Belle, My Beauty among Sundance 2021 award winners
Last night's Sundance Film Festival awards ceremony, hosted by actor and comedian Patton Oswalt on great form coming live from his home screening room, saw CODA, Summer Of Soul (…Or, When The Revolution Could Not Be Televised), and Hive all receive multiple honours, with wins for festival favourite LGBTQ+ features Flee (The World Cinema Grand... Continue Reading →
Sundance 2021 Film Review: The World to Come ★★★★
Part of Sundance 2021's Spotlight program, director Mona Fastvold's Queer Lion-winning The World to Come, adapted from a short story by Jim Shepard, immerses us in the bleak daily life of a contemplative mid-nineteenth century woman, Abigail (Katherine Waterston), living on the stark, unforgiving Northeastern frontier with her husband Dyer (Casey Affleck). The film opens... Continue Reading →
Film Review: Supernova ★★★★
As writer-director Harry Macqueen's Supernova opens we're invited into the old, now seldom used camper van of pianist Sam (Colin Firth) and writer Tusker (Stanley Tucci), who've been together as a couple for decades, as they head to the Lake District. The rich history of their years together is immediately apparent in their rapport and... Continue Reading →
LGBTQ+ highlights at Sundance 2021
This year's week-long Sundance Film Festival, which opens on Thursday January 28th, will run digitally via a custom-designed online platform (festival.sundance.org) alongside drive-ins, screenings at independent arthouses, and a network of local community partnerships. All films in the program will be available online in the United States, with certain titles opting for global availability. The... Continue Reading →
Queer Screen’s 28th Mardi Gras Film Festival lineup revealed
Queer Screen’s 28th Mardi Gras Film Festival has announced its full lineup of queer treats that will debut both in cinemas in Sydney and online on-demand across Australia from February 18th to March 4th 2021. MGFF will screen 94 films including narrative features, docs, shorts, and episodics, with 70% of those available on-demand. The program... Continue Reading →
Exclusive Interview: David Färdmar on his gay breakup movie Are We Lost Forever “I wanted to challenge viewers to think for themselves”
Breaking up is hard to do as Swedish filmmaker David Färdmar explores in his brooding bittersweet debut feature Are We Lost Forever premiering in the UK and Ireland via Peccadillo Pictures on DVD, Blu-ray, and digital on Monday January 18th. When we first meet protagonists Adrian (Björn Elgerd) and Hampus (Jonathan Andersson) they're sitting up... Continue Reading →
Sundance 2021: B. Ruby Rich to host Barbed Wire Kisses Redux panel with LGBTQ+ filmmakers
The Sundance Film Festival, which runs January 28th to February 3rd, has just announced this year's series of talks, panels, and events including the lineup for The Big Conversation, discussions that explore what's fuelling the imaginations of today’s independent artists. Among the program is Barbed Wire Kisses Redux which will see film scholar B. Ruby... Continue Reading →
Film Review: The Prom ★★★★
While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →
The Queer Review meets Ma Rainey’s Black Bottom star Colman Domingo “she was fighting so many systems at that time being a gay woman in a male dominated industry”
This Friday December 18th sees the global Netflix release of the hotly awards-tipped Ma Rainey's Black Bottom, adapted from Pulitzer Prize winner August Wilson's 1984 play, starring Viola Davis as the trailblazing “Mother of the Blues”. The film, which marks Chadwick Boseman's final powerhouse screen performance, takes place during a recording session with Ma and... Continue Reading →
