Film Review: Supernova ★★★★

As writer-director Harry Macqueen's Supernova opens we're invited into the old, now seldom used camper van of pianist Sam (Colin Firth) and writer Tusker (Stanley Tucci), who've been together as a couple for decades, as they head to the Lake District. The rich history of their years together is immediately apparent in their rapport and... Continue Reading →

LGBTQ+ highlights at Sundance 2021

This year's week-long Sundance Film Festival, which opens on Thursday January 28th, will run digitally via a custom-designed online platform (festival.sundance.org) alongside drive-ins, screenings at independent arthouses, and a network of local community partnerships. All films in the program will be available online in the United States, with certain titles opting for global availability. The... Continue Reading →

Exclusive Interview: David Färdmar on his gay breakup movie Are We Lost Forever “I wanted to challenge viewers to think for themselves”

Breaking up is hard to do as Swedish filmmaker David Färdmar explores in his brooding bittersweet debut feature Are We Lost Forever premiering in the UK and Ireland via Peccadillo Pictures on DVD, Blu-ray, and digital on Monday January 18th. When we first meet protagonists Adrian (Björn Elgerd) and Hampus (Jonathan Andersson) they're sitting up... Continue Reading →

Film Review: The Prom ★★★★

While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →

The Queer Review meets Ma Rainey’s Black Bottom star Colman Domingo “she was fighting so many systems at that time being a gay woman in a male dominated industry”

This Friday December 18th sees the global Netflix release of the hotly awards-tipped Ma Rainey's Black Bottom, adapted from Pulitzer Prize winner August Wilson's 1984 play, starring Viola Davis as the trailblazing “Mother of the Blues”. The film, which marks Chadwick Boseman's final powerhouse screen performance, takes place during a recording session with Ma and... Continue Reading →

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