The Queer Review among nominees in 35th Annual GLAAD Media Awards – full list of nominations

On Monday, January 17th, GLAAD—the world’s largest LGBTQ media advocacy organization—received the Television Academy's prestigious Governors Award at the postponed 2023 Emmys ceremony, in recognition of its "profound, transformational, and long-lasting contribution to television". Two days later, GLAAD revealed its own honourees in the 35th Annual GLAAD Media Awards, which included The Queer Review in... Continue Reading →

Exclusive: Guillermo Díaz & Todd Verow in conversation about their queer horror thriller You Can’t Stay Here

In an exclusive conversation for The Queer Review, prolific New Queer Cinema provocateur Todd Verow and veteran actor Guillermo Díaz discuss their collaboration on the atmospheric and captivating indie horror thriller You Can't Stay Here, which opens in New York at the IFC Center on Friday, January 5th, followed by its New Orleans release at... Continue Reading →

Exclusive Interview: Chuck Chuck Baby filmmaker Janis Pugh & star Louise Brealey “these are voices that we don’t often hear”

British writer-director Janis Pugh's remarkable sophomore narrative feature Chuck Chuck Baby, which received its North American premiere at last month's 48th Toronto International Film Festival is a celebration of love between working class women in all its forms with a infectious carpe diem spirit. In industrial North Wales, we meet thirty-something Helen (Louise Brealey) who... Continue Reading →

Exclusive Interview: Oscar-winning filmmaker Roger Ross Williams “the real Cassandro is such a proud, out, gay man who embraces everything about who he is”

When Roger Ross Williams met Saúl Armendáriz, better known as Cassandro, for a 2016 documentary he was directing for The New Yorker—The Man Without a Mask—the filmmaker immediately knew he'd found the subject of his first scripted narrative feature. Making the move from amateur wrestling in El Paso, Armendáriz became a Mexican-American icon with the... Continue Reading →

TIFF 2023 Film Review: Toll (Pedágio) ★★★★

Following last year's Charcoal (Carvão), Brazilian filmmaker Carolina Markowicz returns to TIFF for the world premiere of her captivating sophomore feature Toll (Pedágio) and to receive the festival's Emerging Talent Award. Maeve Jinkings in Carolina Markowicz's Toll (Pedágio) which receives its world premiere at the 48th Toronto International Film Festival. Courtesy of TIFF. Luis Armando... Continue Reading →

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