Exclusive Interview: filmmaker Sacha Polak & star Vicky Knight on Teddy Award-winning queer drama Silver Haze

Filmmaker Sacha Polak and actress Vicky Knight first collaborated on the acclaimed feature Dirty God about an acid attack survivor, which world premiered at Sundance in 2019 and saw Knight named a Breakthrough Brit by BAFTA and receive both Best Actress and Most Promising Newcomer nominations at that year's British Independent Film Awards (BIFA). Silver... Continue Reading →

Film Review: Problemista ★★★★

Multiple Emmy-nominated Saturday Night Live writer Julio Torres first caught my attention as an actor with his absorbingly understated supporting turns in comedies on film and television such as The Other Two, Together Together, Shrill, Search Party, and more recently a characterful voice performance that further queered the animated movie Nimona. Making those roles his... Continue Reading →

SAPPH-O-RAMA! A 30 film exploration of the lesbian image in cinema runs at NYC’s Film Forum February 2nd – 13th

SAPPH-O-RAMA, a 30-film series exploring the eccentric, enduring, and genre-encompassing history of the lesbian image in cinema runs at New York City's Film Forum from Friday, February 2nd through Tuesday, February 13th, 2024. This swoon-worthy celebration of the sapphic canon—groundbreaking, cult favorite, or under-seen selections from the silent era to present day—includes films by Dorothy... Continue Reading →

Exclusive Interview: Chuck Chuck Baby filmmaker Janis Pugh & star Louise Brealey “these are voices that we don’t often hear”

British writer-director Janis Pugh's remarkable sophomore narrative feature Chuck Chuck Baby, which received its North American premiere at last month's 48th Toronto International Film Festival is a celebration of love between working class women in all its forms with a infectious carpe diem spirit. In industrial North Wales, we meet thirty-something Helen (Louise Brealey) who... Continue Reading →

Exclusive Interview: Oscar-winning filmmaker Roger Ross Williams “the real Cassandro is such a proud, out, gay man who embraces everything about who he is”

When Roger Ross Williams met Saúl Armendáriz, better known as Cassandro, for a 2016 documentary he was directing for The New Yorker—The Man Without a Mask—the filmmaker immediately knew he'd found the subject of his first scripted narrative feature. Making the move from amateur wrestling in El Paso, Armendáriz became a Mexican-American icon with the... Continue Reading →

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