Queer filmmaker Cater Smith grew up in rural Maine, launching his photography career in New York aged just 17, going on to shoot some of the world's most famous faces for the likes of W, Vogue, i-D, and GQ. His 2006 debut short as writer and director, Bugcrush, won the Grand Jury Prize at Sundance... Continue Reading →
Oscar-nominated veteran screenwriter John Logan (Skyfall, Hugo, The Aviator, Gladiator) makes his directing debut with his own skillfully-crafted screenplay for the gripping and bloody terrifying slasher, They/Them (pronounced They-slash-Them), which received its world premiere tonight as it closed the 40th anniversary Outfest Los Angeles LGBTQ+ Film Festival. Carrie Preston as Cora Whistler, Anna Chlumsky as... Continue Reading →
Guillermo Díaz, star of TV shows like Scandal, Weeds, Law & Order: Organized Crime, and movies like Party Girl, Stonewall (1995), and Billy Eichner's upcoming BROS, will take the lead in Todd Verow's 90s New York set queer horror thriller You Can't Stay Here. The project, which recently launched an Indiegogo campaign, is loosely inspired by real events... Continue Reading →
Based on the novella by Johan Theorin, Swedish filmmaker Frida Kempff's unsettling debut feature Knocking (or Knackningar in Swedish, such a delicious word) which played Outfest LA 2021 on Saturday night, is a sophisticated psychological horror and a masterclass in tension, spare dialogue, and intricate sound design. At its centre is a compelling performance by... Continue Reading →
Based on the novella by Johan Theorin, Swedish filmmaker Frida Kempff's unsettling debut feature Knocking (or Knackningar in Swedish, such a delicious word) which premiered in the Midnight section at Sundance on Friday, is a sophisticated psychological horror and a masterclass in tension, spare dialogue, and intricate sound design. At its centre is a compelling... Continue Reading →
Judah (Judah Vivancos) is a dancer. He’s a beautiful dancer and a beautiful man, lithe and muscled and with perfect razor-angled stubble. He dances primarily with the alluring Rebekah (Leonor Campillo), and while their choreographer and director have a lot to say about how they can improve, director Manu Herrera’s camera captures their performance with... Continue Reading →
