Guillermo Díaz, star of TV shows like Scandal, Weeds, Law & Order: Organized Crime, and movies like Party Girl, Stonewall (1995), and Billy Eichner's upcoming BROS, will take the lead in Todd Verow's 90s New York set queer horror thriller You Can't Stay Here. The project, which recently launched an Indiegogo campaign, is loosely inspired by real events... Continue Reading →
Based on the novella by Johan Theorin, Swedish filmmaker Frida Kempff's unsettling debut feature Knocking (or Knackningar in Swedish, such a delicious word) which played Outfest LA 2021 on Saturday night, is a sophisticated psychological horror and a masterclass in tension, spare dialogue, and intricate sound design. At its centre is a compelling performance by... Continue Reading →
If you're a fan of the slasher movies of the 70s and 80s like Black Christmas and The Slumber Party Massacre, or their post-modern dark comedy incarnations like Scream, you'll likely appreciate the edgy, contemporary social media fueled spin that filmmaker John Berardo puts on the subgenre with his gripping and gruesome debut feature Initiation.... Continue Reading →
Frida Kempff's debut narrative feature Knocking (Knackningar), which world premiered at Sundance, is a compelling psychological horror that follows Molly (Cecilia Milocco) in her determination to find the source of the mysterious knocking sounds she can hear from her new apartment, while still grieving the loss of her girlfriend. Read our ★★★★ review of the... Continue Reading →
Based on the novella by Johan Theorin, Swedish filmmaker Frida Kempff's unsettling debut feature Knocking (or Knackningar in Swedish, such a delicious word) which premiered in the Midnight section at Sundance on Friday, is a sophisticated psychological horror and a masterclass in tension, spare dialogue, and intricate sound design. At its centre is a compelling... Continue Reading →
Judah (Judah Vivancos) is a dancer. He’s a beautiful dancer and a beautiful man, lithe and muscled and with perfect razor-angled stubble. He dances primarily with the alluring Rebekah (Leonor Campillo), and while their choreographer and director have a lot to say about how they can improve, director Manu Herrera’s camera captures their performance with... Continue Reading →
