Legendary performer Taylor Mac and musical director Matt Ray’s A 24-Decade History of Popular Music broke ground with its monumental scope and vision, earned the duo a slew of awards (including a Pulitzer Prize nomination) and became the subject of a fascinating HBO documentary made by Rob Epstein and Jeffrey Friedman which premiered at Tribeca... Continue Reading →
HIV+ activist & theatre maker Jeremy Goldstein reflects on his Sydney WorldPride Arts experience
Renowned HIV+ theatre maker and queer arts producer Jeremy Goldstein surveys Sydney WorldPride Arts for The Queer Review, and finds a radically inclusive multi-artform festival of gender, identity, and sexuality. Beyond the Mardi Gras and the usual circuit parties, WorldPride Arts reinvents the harbour city as one of the world’s greatest LGBTQIA+ cultural destinations. I... Continue Reading →
Theatre Review: Blessed Union (Belvoir St Theatre, Sydney) ★★★★★
There’s a simple pleasure to be had in sitting back and watching everything on stage being done well. Belvoir’s new queer family dramedy, Blessed Union, is seamlessly terrific. Funny, emotive, and probing. Flawless. No notes. I could end the review here, but obviously I won't... Ruth (Danielle Cormack) and Judith (Maude Davey) have always upheld... Continue Reading →
Mardi Gras Film Festival 2023 Review: Trans Glamoré ★★★
Two mid-length documentaries about Australian trans women will receive their world premieres at Queer Screen’s 30th Mardi Gras Film Festival under the banner of Trans Women Champions: Trans Glamoré and The Accidental Archivist. Filmmaker Lachlan Bradbury's Trans Glamoré (a recipient of the Queer Screen Completion Fund), is a look at Sydney's eponymous trans cabaret night.... Continue Reading →
Cultural highlights at Sydney WorldPride 2023
G'day from gay down under. WorldPride (yes, all one word - I imagine it's said like, "Just Jack!") hits Sydney, Australia February 17th - March 5th, and there's plenty more than the de rigueur circuit parties and Kylie gigs to enjoy. The vibrant local arts scene has a range of options to keep you entertained... Continue Reading →
Queer Screen Mardi Gras Film Festival marks 30th anniversary during World Pride – full lineup announced
The lineup for the 30th anniversary of Queer Screen’s Mardi Gras Film Festival—running February 15th until March 2nd, 2023—has just been announced including several world and Australian premieres. A total of 166 films will screen over 16 days in cinemas, outdoors, and on demand at home alongside a program of panel discussions, workshops, industry networking... Continue Reading →
Mardi Gras Film Festival 2022 Review: Death and Bowling ★★★★
Outfest LA 2021 Audience Award winner, writer-director Lyle Kash Death and Bowling, which gets its Australian premiere at the Mardi Gras Film Festival, is a surprising, surrealistic look at a trans man’s grief and a mediation on trans lives, how gender trans folks are presented on screen and the complex motivation to be seen. Will... Continue Reading →
Theatre Review: Triple X (Sydney Theatre Company) ★★★★1/2
Glace Chase’s play, Triple X, has finally hit the Sydney Theatre Company mainstage and it has been well worth the elongated wait. Fresh, complex, and hugely entertaining, this exploration of the love between a cis man and trans woman quickly demolishes your expectations and takes you on a ride filled with ethical backflips, emotional diversions,... Continue Reading →
Exclusive Interview: Glace Chase on her play Triple X “we’ve not seen a trans love story like this before”
Multi-hyphenate trans queen, drag performer, playwright, comedian, screenwriter, and New York City tour guide Glace Chase has been unexpectedly stuck in Australia during the pandemic and things have taken some unusual turns. “Oh my God, it’s been an ongoing trauma!" Glace tells The Queer Review's Chad Armstrong in Sydney. "I was only meant to be... Continue Reading →
Theatre Review: Dead Skin (Kings Cross Theatre, Sydney) ★★★★
Watching Dead Skin—which won the State Theatre Company of South Australia’s Young Playwright’s Award and had its world premiere at the Kings Cross Theatre Sydney this week—I was impressed by the complexity of the narrative structure, the ease and flow of dialogue that authentically captures the energy and angst of youth, as well as the... Continue Reading →
